John Gay

As London's East End scrubs up for the coronation, Mr and Mrs Peachum gear up for a bumper day in the beggary business. Keeping tight control of the city's underground – and their daughter’s whereabouts.

The Royal Ballet and the Royal Opera collaborate in Wayne McGregor's production of Handel and Gay's classic opera, in which the nymph Galatea falls in love with a shepherd named Acis.

Unlike any other opera, the so-called Beggar's Opera is not just one composition, but a lineage of adapted compositions, beginning with the original hugely successful 1728 political satire written by Englishman John Gay. Composers and writers have penned variations on it ever since. The most famous of these was A Threepenny Opera by Bertholt Brecht and Kurt Weill. Some things these compositions share in common is their setting among the poor and criminal classes, and the roguish character Macheath. This production is based on an adaptation of Gay's original by Vaclav Havel the freedom-fighter, writer and philosopher who became the first (and only) president of the united post-communist country of Czechoslovakia, and it retains many traces of its theatrical origins. Film reviewers were not too tolerant of what they called "slavish adherence" to the noted Czech writer's stage production, but theater, philosophy and history buffs may feel otherwise.

Adaptation of John Gay's 18th century opera, featuring Laurence Olivier as MacHeath and Hugh Griffith as the Beggar.

The Beggar's Opera is one of the earliest examples of a Musical in the history of theater (from which Bertolt Brecht and Kurt Weill drew inspiration for the Threepenny Opera). A crowd of thieves and prostitutes, fences and swindlers, speaking various dialects with Peppe Servillo as the shady fence, Angela Baraldi (the wife), Marco Alemanno and opera singer Borja Quiza Martinez (Captain Uccello) directed by Lucio Dalla. New translation and dramaturgical version by Giuseppe Di Leva of John Gay's play transported from the slums of 18th-century London to the Bologna of today.

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A huge success at its first performance in 1728 John Gay's The Beggar's Opera satirized the conventions of Italian opera, using popular tunes to tell the story of rogues and criminals. With his distinctive musical arrangements at its heart, Britten's 1948 adaptation was a significant revision, amounting to a new twentieth-century opera. The BBC film, originally broadcast in 1963, feature a superb cast of English singers..