André Carvalheira

A small-scale farmer, the only daughter caring for her aging mother and the family land, has her quiet life upended when a mysterious crop circle appears in her field. The phenomenon brings her estranged sister and brother back into her world, forcing them to confront the emotional distance that has grown between them.

On the border between the real and the fantastic, between the colonial past and the overwhelming modernity of agribusiness, the city of Goiás is the scene of the meeting between the young Fernanda and her secret roots. She returns to the home of her wealthy uncle, after the death of her adoptive mother, in order to implode the certainties and to reveal the painful truth about its origin.

In the backlands of Goiás, Brazil, brutish men who cannot deal with their weaknesses are constantly abandoned by the women they love. Sad and bitter, these men turn violently against each other.

Alex is an unsuccessful country musician. He returns to his hometown in the heart of the brazilian midlands, a village threatened by industrial agriculture that consumes original forests and challenges settler’s traditional ways of life. he dreams of being a skilled musician like his father lázaro, a sick guitar player in debt with the saints, who must perform a series of religious rituals. however, local rumours say his debts are not with the saints, but with the devil. to save his father and himself, alex journeys into local practices and beliefs.

The grandfather of a former child star decides to become a superhero. The angst grandson will need to become a superhero's sidekick in order to help his grandfather to face aging with the same bravery that embodies the hero Captain Astúcia.

Amador is a retired and ostracized gunman. Alone and bitter, he collects newspaper clippings of his old crimes in an album. After several humiliations, he will react with violence to the world’s hostility that surrounds him while also trying to get back to action.

A woman leaves her career in dancing to dedicate her life to her husband, a famous politician. Fifteen years after, she leaves her luxurious life to resume what she left behind years ago.

Karen sings and plays the trumpet in a vigorous rock band in Brasilia, but no one there is interested in it. At 27, she has lost hope in the city her grandfather helped to build. She follows in the footsteps of her ex-partner in the band, Artur, and tries her luck in Berlin.

Mônica is an actress in a crisis triggered by the overexposure of her life as a celebrity. Young Kelly is not aware of that when she unsuccessfully tries to speak to Mônica as she is leaving a film shooting, in Brazil's countryside. Kelly will not give up and decides to try to meet her muse again.

Maria Luiza da Silva is the first transgender in the history of the Brazilian Armed Forces. After 22 years of work in the military, she retired due to disability. The film explores the complex barriers she faced and her path of affirmation as a trans, military and Catholic woman.

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Ana is setting up an exhibition of her artwork when she is forced to return to the farm where she lived in her childhood. Tereza, her sister, has been stricken with an enigmatic illness that alters her states of consciousness. During her stay, Ana has to face the mysteries of her own memory.

Don't be impressed. I'm not just disgusting or stupid, believe me. There must be something admirable in all that I am. My story is about the great act and it begins with an invitation. One day Kaysa calls me and asks me: shall we dance? In fact, that seems to be something that all women like, dancing. I hope you know what dancing is...

A young architect embarks on an ambitious real state development project in Brasília, convinced that he could actually help transform people’s lives and build a new form of society. But his utopia begins to fall apart when his dreams get in the way of corporate corruption and personal interests.

When returning to his hometown with his ill mother, Marlombrando meets again his father and the Drive-in cinema where he spent his childhood. Almeida keeps the cinema functioning with the assistance of only two employees: Paula, who takes care of the projection and the snack bar; Jose, an old friend of Almeida, who helps selling tickets at the cashier and cleaning up the place. The arrival of Marlombrando and the demolition threatening of the Drive-in will bring new directions to their lives.

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The struggle of a small group of blacksmiths trapped between keeping a long going strike with claims for better fees and the necessity of getting back to work when there's no money left for basic necessities.

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The Kaiowa and Guarani Nation, oblivious to Law and Justice, reveals the testimonial narrative of the indigenous genocide underway in the state of Mato Grosso do Sul.

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