Mondo Yamagishi

Takeshi Hongo is a promising young man with a passion for motorcycle racing. However, his dreams are suddenly ruined when he gets kidnapped by Shocker, the evil secret organization planning to dominate the world. After being remodeled into a cyborg, Takeshi escapes and swears to protect the world from the inhuman monsters.

Nakagawa Arisu is in the 3rd grade of high school and 18 years old. Her mother died when she was 11 years old. She has since lived with her father, who works as a firefighter. Having been influenced by her mother, Nakagawa Arisu has dreamed of becoming a curator who travels abroad often for work. But her life changes when she learns she is pregnant. Meanwhile, Naruse Toko is about to turn 40 years old soon. She works in the art world as someone who connects art and business. Naruse Toko is dedicated to her work and she hasn't been in a romantic relationship for 10 years. Nakagawa Arisu and Naruse Toko, who are totally different people, happen to meet and their encounter changes their lives.

The stageplay adaptation of the popular manga by Gege Akutami, Jujutsu Kaisen.

Sasaki Yuko (Adachi Yumi) works as a temporary employee at a call center, struggling with her mortgage and child-rearing. Despite her overbearing boss and uncertain future, she tries to make ends meet. Her husband Yoshimitsu (Aoki Munetaka) is optimistic but doesn’t earn much, which frustrates Yuko and her only joy is her son. One day, a misfortune strikes the Sasaki family, and a momentary lapse in judgment drastically changes their lives. Peculiar characters disrupt their peace, leading to chaos as hidden desires and wishes come to the surface.

Suzuki Koichi, a 30-something hikikomori shut-in, allows his mother to dotingly tend to his needs. When she discovers that Koichi has killed himself, the shock is so great she loses consciousness and her memory of that day.

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A mysterious city woman named Kiyomi is cared for by an old village woman. The male villagers are intrigued by Kiyomi, especially Masaru, a young man who the surrogate grandson to the old woman, eats dinner with her every night. Despite constant questioning, Kiyomi refuses to talk about her past. The enigma of her presence only bewitches the men further. Shinji, a writer, gives her the only copy of his book. Tatsuya, a farmer, offers her his ripest tomatoes. Kiyomi acts timid, but she secretly likes the attention. But when the old woman collapses, there is no one to protect the frail city woman. Later, a sinister man from the city arrives looking for Kiyomi. A disturbing truth will be revealed about her while a strange and outrageous battle of love will ensue.

Shigure makes a living as a transporter with his young buddy, Haruki. One day, Haruki disappears with the counterfeit bills they bring. Shigure makes every effort to find them, trying to assume ignorance of his BOSS. As all his efforts are getting in vain, he gets a call. It is from Haruki and he says “these bills are genuine.”

Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR

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Musical Touken Ranbu Shizukanaru Yowa no Nezame