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Humberto Ríos

Directing

Biography

Humberto Ríos (1929–2014) was born in La Paz, Bolivia, on November 30, 1929. He was a Bolivian film director and documentarian who died in Buenos Aires, Argentina, on November 8, 2014. In the 1950s he traveled to France, initially intending to work in his original profession as a painter and set designer, but the creative energy of the nouvelle vague drew him into cinema, and he went on to study at IDHEC, where he crossed paths with figures like Costa-Gavras, Manuel Michel and Salvador Elizondo. While in Paris, he also became involved with a clandestine network of activists opposing the Algerian War, helping route funds to Switzerland for the cause — and was among the few members of that cell who avoided imprisonment. In 1960 he relocated to Buenos Aires, with help from Argentine TV director María Herminia Avellaneda, and settled permanently in Argentina. There he worked as a cameraman for Argentinian filmmaker Raymundo Gleyzer and became one of the key figures of militant, socially engaged Latin American cinema. His best-known works include: Eloy (1969), an Argentine-Chilean co-production based on Carlos Droguett's novel, which screened at the Berlin Film Festival; Al grito de este pueblo (1972), about the struggle of Bolivian miners; and Fernando Birri, el utópico andante (2012), a documentary about the life of filmmaker Fernando Birri. He also taught in the Social Communication degree program at the School of Education Sciences of the National University of Entre Ríos (UNER), in Paraná. He's often remembered, alongside Jorge Sanjinés, as one of the pioneers of avant-garde, socially committed Bolivian cinema and a founding figure of the New Latin American Cinema movement — work that grew increasingly militant against dictatorship and repression across the region.

Known For

Rerum Novarum
8.0

Near Luján, the Rerum Novarum music band, composer of former workers of the Flandria cotton plant, continues playing nowadays, in spite of the shutdown of the factory. The old musicians struggle with passion in the need to maintain an identity, in a present where the social values seem to have to disappear. The old workers-musicians, receive "Our Lady of Luján" playing "Oh, María", remembering the early days of the town, of the factory, and of their own lives. They recall an idealistic past, where a Flandria worker used to receive a salary equal to that of a bank manager. They visit the closed factory -once source for employment for thousands of workers- with the knowledge that the country that they helped to build no longer exists. The old musicians gather to enjoy their friendship in the celebration of the 63rd anniversary of the band, while they fight against the ghosts of the economical crisis and social disintegration.

Rerum Novarum

2001Movie
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This file addresses the work of the emblematic Bolivian filmmaker Jorge Sanjinés, investigating the creative aspects of this director who knew how to create his own language and aesthetics consistent with the Andean worldview. His work is an insight into that collectivist world that brings us closer in a sensitive way to the soul of Bolivian society. It is a call to attention to the whole of society regarding the cultural values ​​of the indigenous majorities. Consistent with his discourse, Jorge Sanjinés is a director who has strived to make communicable, reflective, critical and beautiful cinema that has survived censorship, persecution and exile, bringing to the continent and the world all the richness of an unmissable work.

Jorge Sanjinés y la Nación re(v)belada

2010Movie