Luis Porcar

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

It's the year 3000 and a nuclear war has turned the earth into a desert wasteland. A group of survivors living in a cave run out of water and desperately need to locate a new supply. The last guy they sent out to find water never returned, and now his 10 year old son Timmy wants to join the next search team. They think they know where there's an untapped well of water, but to get there they have to travel through dangerous terrain controlled by a savage gang of motorcyclists under the bloodthirsty reign of 'Crazy Bull'. On their mission, Timmy and his team run into a lonesome stranger named Alien (Robert Iannucci) who may be able to help them against the marauding motorcyclists. Can the struggling survivors looking for water in this barren world defeat Crazy Bull and his exterminating minions? Hang on tight - the battle has just begun!

Just when normalcy seemed to have returned to the Valencian town of Favara with Visanteta's marriage, tragedy strucks and she's widowed. To avoid the wrath of Saint Barbara after Visanteta's honor is threatened, they seek her a husband, but none lasts for long.

Lorenzo is a handsome, intelligent, charming, elegant and liberal man. All he asks for is total devotion. And Margarita, foolishly, falls in love with him…

In Spain, Antoñito, a child, is punished to remain standing doing the fascist salute. As an adult, turned into a young college student, he tries to free himself from the perverse amalgam of ideas, values and beliefs with which his family, the Catholic Church and the repressive elements of the Franco Regime poisoned his mind during his childhood.

The president of the Import and Export Group hires the services of the great Ruperto Solís to woo Úrsula, the beautiful heiress of an Iranian oil tycoon.

The story of various, diverse relationships among different generations near Santander. The film uses flashbacks taken from Viota's earlier film Fin de un invierno, and follows elements of his first feature Contactos.

Short film shot in 16mm