Directing
A young boy’s father goes off to war, leaving the family in the midst of the inevitable changes of regional and internal conflicts of 1940s Syria.
Based on one of the most famous novels by Syrian novelist Khairy Al-Zahabi, the film tells the story of a woman from a Syrian family who is married but always treated badly by her husband, and is good at embroidery.
In one of the developing countries, local and Soviet geologists discovered a tantalum ore deposit. Having learned about this, the CIA now intends to draw the country into the American sphere of influence: to incite discontent among religious communities, organize student unrest and provoke a severance of diplomatic ties with the USSR...
The story of the film within the Abu Asaad family revolves around the inheritance of three brothers in the city of Hama in central Syria, but severe disagreements arise between them over how to divide this inheritance.
Set in the director’s hometown of Hama, this short film presents a bold, unsettling attempt to expose the global Zionist movement by weaving together fragments of personal memory and deep political disillusionment. Through its fractured narrative and incisive, at times confrontational editing, the film challenges dominant Western discourses and constructs a dense atmosphere of conspiracy, erasure, and historical amnesia. A cinematic act of resistance, it draws its urgency not only from archival, but from the director’s own reckoning with the mechanisms of silencing and distortion.
