Pierre Dalpé

The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian pay-TV channel The Movie Network. Though it shares a title with the feature film The Hunger the series has no direct plot or character connection to the film, and was created by Jeff Fazio. Originally shown on the Sci Fi Channel in the UK, The Movie Network in Canada and Showtime in the US, the series was broadcast from 1997 to 2000, and is internally organized into two seasons. Each episode was based around an independent story introduced by the host; Terence Stamp hosted each episode for the first season, and was replaced in the second season by David Bowie. Stories tended to focus on themes of self-destructive desire and obsession, with a strong component of soft-core erotica; popular tropes for the stories included cannibalism, vampires, sex, and poison.

When a gargoyle falls off a church during a storm, a scientist and his assistant take it back to their lab, where they are doing genetic experiments. However, the gargoyle is possessed by an evil spirit and starts to interfere in their experiments.

The title of this French-Canadian film translates to In the Belly of the Dragon, but don't assume that it's just another kung fu epic. Rather, the film is a likeable mixture of science fiction and humor, centered around the money-making schemes of star David La Haye. Unable to make ends meet with his minimum-wage job, La Haye hires himself out as a guinea pig to genially loopy scientist Marie Tifo. It is the doctor's contention that a person's intelligence can be artificially increased. La Haye proves her right...up to a point, that is. Extremely popular in Canada, Dans le Ventre du Dragon has yet to receive proper distribution in the States.

An office worker unravels as he struggles to deal with bullying, psychological violence and harassment at work. At work, psychological health can sometimes be so fragile that it "hangs by a thread." To represent this reality with both accuracy and sensitivity, the team created crochet characters representing the various faces of workplace psychosocial risks, from harassment to violence. By capturing the public’s attention through emotion, the ad encourages open discussion and proactive management of such risks in the workplace, just like any other risk.