Directing
Musical directed by Anwar Kamal Pasha and Murtaza Gilani.
To save his critically ill son from poverty, a poor man agrees to a dangerous deal with his boss's devious wife. His desperate choice pulls him into a world of crime and blackmail, ruining his family's peace and leaving a dark secret that haunts them for years.
When a defiant youth flees a tyrannical Wazir, he joins a hidden band of rebels branded as outlaws. Alongside a fierce warrior woman, he leads a desperate guerilla campaign against oppression, turning a flight for survival into an ultimate sacrifice for true justice.
A social‑musical drama from early Pakistani cinema, starring Sabiha Khanum and Santosh Kumar. With music by Master Inayat Hussain, the film helped make its lead pair a bankable romantic duo, introduced fresh talent like Musarrat Nazir, and delivered box‑office success in 1955.
Mela is a 1986 Pakistani Punjabi-language action film, directed by Hassan Askari and produced by Anwar Kamal Pasha, starring Sultan Rahi and Anjuman and in the lead roles
Prince Jahangir loves the slave girl Anarkali, which creates a serious conflict between Prince Jahangir and his father, Mughal emperor Akbar.
No description available.
Set in the aftermath of the 1947 Partition, it follows a young woman whose life is disrupted as she migrates to a new country, while longing for her lover Saeed and struggling with separation and emotional distress.
Vishal (Rishi Kapoor) comes from a wealthy Hindu family. His father is well known Chandraprakash Singh (Amrish Puri), and his mom is a housewife, Sharda (Asha Parekh). Vishal falls in love with a young Catholic girl, Ruby Miranda (Farha). While Ruby's dad (Alok Nath) approves of the marriage, Chandraprakash does not, and will not even hear of his son marrying someone not of equal status in wealth, leave alone a different religion. He is all the more enraged when he learns that Vishal is not really his son.
A Pakistani Urdu-language film directed by Luqman, starring Noor Jehan, Santosh, and Habib.
Pakistani adaptation of Layla Majnun.
Deepak is the only son in the Walia family. His dad has passed away, leaving him responsible for his widowed mom, and two sisters, who are now of marriageable age. Deepak is on the lookout for suitable grooms, and does find two of them, but is unable to go through with the marriages, as both of the grooms' dads demand a large dowry. Deepak then decides to marry Seema and Rita, the grooms' sisters, as well as carry on wooing his girlfriend, Shayla, with a view of collecting enough dowry from these two marriages, to marry his sisters. The question is will Deepak get away with this blatant act of proposed bigamy?
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