Roberto Di Palma

A married woman realizes how unhappy her marriage really is, and that her life needs to go in a different direction. After a painful divorce, she takes off on a round-the-world journey to "find herself".

Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.

Three girls leave behind their camping friends and head to Porto Cervo - a luxury seaside resort in northern Sardinia - looking for adventure.

The alienating and repetitive life of a group of heroin junkies in 1980s Rome.

Giada is a overachieving student who works to pay for college. Riccardo is a spoiled brat who answers her tutoring ad in order to improve his abysmal grades. She's shy and homely. He's handsome and brazen. As they say, opposites attract.

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Young Betty Pellegrino (Orla Conforti) is a strong-minded 13-year-old, left on her own to deal with life in the poorer districts of an industrialized Turin. Street life alternates with bouts in the reformatory, and Betty's prospects for a decent life seem fairly dim in spite of her consistently ready wit and ability to take whatever life hands out. Then she meets a social worker willing to add Betty to her already heavy case load. Maybe there is some hope after all, as two against the world double Betty's odds.