Kirsten Bates

Not to be confused with Luc Besson's film of the same title from the same year. Documentarian Andrew Horn's second narrative feature.

A punk savage satire about a kidnapping.

A collaborative faux documentary by then roommates Cara Perlman and Jane Sherry, tracing Jane’s activities as a topless dancer in a New York City nightclub–where she was in fact working at the time.