Hanns Ernst Jäger

Der Kommissar is a German television series about a group of detectives of the Munich homicide squad. All 97 episodes, which were shot in black-and-white and first broadcast between 1969 and 1976, were written by Herbert Reinecker and starred Erik Ode as Kommissar Herbert Keller. Keller's assistants were Walter Grabert, Robert Heines, and Harry Klein who, in 1974, was replaced by his younger brother Erwin Klein.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

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A man comes to a small village to begin his new job as an attendant at the nearby castle. But everybody in the village claims that he surely must be mistaken, there is no need for an attendant at the castle.

Janet Freeman, the daughter of the English nuclear researcher Clive and his wife Lucy, is kidnapped.

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The famous-notorious Division Brandenburg was (in wartime) under command of Admiral Canaris. But, the death brave division, joined by men, who where not really quite volunteering, received a command: Sulina, a harbour at black sea, where urgently needed oil is turner over, should be prevented from an attack. The plan is worked out and some more men need to volunteer, to let it become real.

Old Dag and his two sons Tore and Dag Junior live on Björndal in the Nordic forests. The clan is constantly at odds with the noble landowner Lord von Gall, who lives on his sprawling estate with his daughter Elisabeth. During a dance, Tore snatches the distinguished young lady and sweeps her across the dance floor. Enraged by this audacity, she sets her admirer, Lieutenant Margas, on the temperamental young farmer. Tore loses his life in the fight, and catastrophe ensues.

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Florestan Mississippi, a public prosecutor by profession, visits a lady named Anastasia and, while drinking coffee with her, convicts her of poisoning her husband. At the same time, he asks for her hand in marriage, as he too has killed his wife with poison; the marriage is to be the "atonement" of the two poisoners. The four allegorical personifications in this comedy are, in addition to the loveless, absolute justice in the form of the prosecutor Mississippi, perfect equality, represented by the world revolutionary Saint-Claude, Christian love, embodied in the down-and-out, alcoholic tropical doctor Count Uebelohe-Zabernsee, and finally the "Frau Welt" of the old mystery play – Anastasia, who falls for everyone and betrays everyone, loves nothing but the moment, and dies with an invoked untruth on her lips.

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The film focuses on life in a World War II German penal battalion camp somewhere in Russia. The convicts include a heroic doctor unjustly convicted of avoiding military service, an officer who retreated against orders, and common criminals. It shows their life in the camp, clearing mines, living in trenches on the front line.

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A recording of the 1939 play "Mother Courage and Her Children" for German TV.

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