Tomris Oğuzalp

Pioneered the first female narration ever on Turkish TV series follows a female teacher at the end of age of Classicism examining the role of business women in the post-modern society.

The tragic story of a little girl who was raised up as a servant girl in a grumpy woman's home.

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In the half-light of dawn, Halil falls down dead, murdered. His wife, Elmas, cries for justice, but, in fact, there will be no investigation. Life goes on for Elmas: during the day she works in the rice paddies with her little boy and, at night, she goes to catch frogs with the other villagers.

Üftade has long been the object of men’s fury. Her only hope is to marry the young man she is in love with and escape her traumatic life in the home of her abusive stepfather. However, when her lover suddenly leaves her, Üftade's despair increases exponentially, and she begins to lose her mental balance due to the traumas of her childhood. Throughout the years, her suffering is witnessed by her nephew, who feels helpless to do anything about her condition.

A love affair threatened by a barrier as great as itself... Can differences of faith stand in the way of an innocent love affair? Two young people, Esma and Mustafa, fall in love. For them, the future only has meaning if they are together. Failing this, life is meaningless. However, overhanging their love is a barrier unique to the period and location: Mustafa is a clandestine Christian, when everyone including Esma thinks he is Muslim. In the meantime, the Ottoman Empire introduces a series of reforms giving Christians the same rights as Muslims. From this point on, the Church urges secret Christians to reveal their faith. This poses a dilemma for Mustafa: he is caught between his love and the Church.

A civil servant in a small town, shunned by his family and his friends due to his lack of ambition, hits the jackpot in the national lottery. Not trusting anybody around him, he gradually starts to lose his mind.

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Sarı Zeybek is a 1953 biopic film written and directed by Münir Hayri Egeli. The film specifically showed the last 300 days of Mustafa Kemal's life and portrayed his ordinary human characteristics rather than his military prowess or political talents.

Osman is a jealous and proud gentleman. Zala, who must have married him at a young age is unhappy. Avci, caught in a storm and had to take refuge in his hut, is an attractive young man who knows how to take advantage of his environment.

Meral is a divorced mother living with her six-year-old daughter Elif. One day, Elif disappears. Despite all efforts to search for her, she in not found. Meral’s former husband and lawyer Turgay take part in the search. During their investigation, Meral and Turgay become clo ser. A love relationship starts between these two loners.

A Turkish watchmaker is employed to mend a village clock that has not worked for some seven years. However, what seems like a simple and un-exciting task is plunged into a web of mystery and intrigue when the watchmaker innocently witnesses the murder of a beautiful woman on his first day in the village.

Through the eyes of a child, the story of his uncle who left an indelible mark on his life. Little Faik learned from his uncle Ali to look at the world with a smile and to love.

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The film is a love story. However, it is not a story about the love between two people, but rather a story about the love and affection that a group of people feel for life and for each other. The film depicts all kinds of love, from east to west, from schoolchildren to villagers, from young to old, in both an emotional and humorous way.

Fatma is a mother of two children with an unhappy marriage. Her husband Yusuf constantly mistreats her, abuses her, and beats her. When he takes a second wife, Fatma can no longer take it and rebels. Yusuf kicks Fatma and the children out of the house.