Carlos Heitor Cony

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Marina is raised by her father on an island after her mother's death. As a teenager, she moves to Rio de Janeiro to study and live with her godparents, where she ends up falling in love with Marcelo.

The story of Domitila de Castro Canto e Melo, the Marquise of Santos, the most famous of the mistresses of Dom Pedro I, Emperor of Brazil.

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Follows the story of Opinião, a theatre group created in 1964 during the early Brazilian dictatorship period to oppose the government through artistic performances. Considered the first left-wing response to the dictatorship, the group gathered now famous Brazilian artists such as Nara Leão, Maria Bethânia, João do Vale and Millôr Fernandes.

Four thieves enter a house and terrorize a family.

A documentary made to coincide with Niemeyer's 100th birthday. The renowned architect talks about his long life, his inspirations, and his aspirations towards a just Brazil, and the ways he tried to help that along in his spectacular and beautiful buildings.

In São Paulo, a businessman wants to rehabilitate street children, called "trombinhas", through a social project. After being discouraged by the police, he seeks help from the coach of the Santos Futebol Clube youth team.

The adventures of Pedro, a musician who is trying his luck in Rio de Janeiro, in the 1950's. He leaves his hometown Belo Horizonte to share a lodging with his brother Carlos in Rio. During one of his gigs, he meets Arlete, a singer in a vocal group and fall in love.

Guia de Filmes indicates: "melodrama addressing the massification of large urban centers and the contradictions of consumer society and advertising. It is the first independent production by the firm of Vera Fischer and Perry Sales, and also, the first film directed by Englishman Michael Sarne in Brazil; however, he retired before completion and the film was finished by Perry Salles, marking his directorial debut ".

Documentary about the 68-generation, told through the story of the newspaper “O Sol”, one of the first vehicles of the alternative Brazilian press, produced daily for six months, in the 1960s. The newspaper spoke of culture, politics and education through satires and prominent figures in the cultural scene of the time passed through him. Archive scenes and music from the period seek to reconstitute the spirit of the 68-generation. The film has the participation of personalities such as Ziraldo, Zuenir Ventura, Arnaldo Jabor, Chico Buarque, Caetano Veloso, Carlos Heitor Cony, Fernando Gabeira, Betty Faria, Hugo Carvana, among others.

João Goulart (known as Jango) had been democratically elected president of Brazil, but was expelled from office after the coup of April 1, 1964. After that, Jango lived in exile in Argentina, where he died in 1976. The circumstances of his death in the neighboring country were not well explained today. His body was buried immediately after his death, raising the suspicions of premeditated murder. This documentary brings the issue back to the fore and tries to publicly clarify some obscure facts of the history of Brazil.

During the Brazilian military government, journalist Estêvão is sent from Rio de Janeiro to Brasilia to cover the important statement of a minister, but takes the opportunity to deliver incriminating documents to another one.

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Carlos is a man doomed by restless memories, that meets with himself, in a time warp. Young Carlos faces the forgetfulness of old Carlos, who doesn't recognize his own appearance. They get a package. But the package seems odd. The knot that ties, the smell, the handwriting on the envelope: this could only be sent by his father, Ernesto, who has been dead for many years. A father who always created unusual situations. In this time warp, Carlos is split in two: one Carlos remembers and the other forgets the moments he spent with his father.

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Wanted by the police, a university professor flees to a hotel in the interior and causes changes in the lives of the owner of the establishment and his wife.

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"Impressões" rescues the history of the Brazilian press since 1808, when the "Correio Brasiliense" clandestinely reached Rio de Janeiro after being edited in London by Hipólito José da Costa, and spans until 1986. It's the first documentary to depict the history of the Brazilian journalistic press.