Production
Third-generation Florida beekeeper Ulee Jackson may have gotten out of Vietnam alive, but he left a part of himself behind. Now he methodically tends his bees, carefully provides for his two grandchildren and keeps his emotions at bay. But when a long-buried secret threatens Ulee's business and family, he is forced to break through his emotional walls and confront the terror of his wounded spirit.
An anthology of 10 stories depicting real-life incidents of subway riders in New York City, which range from compassion and love to violence and loss.
Robert Castle is the idealistic pastor of St. Mary's Episcopal Church in Harlem, and also the cousin of filmmaker Jonathan Demme. Demme's affectionate portrait of his cousin traces Castle's story, beginning with his first parish assignment, in New Jersey in the early 1960s, in an increasingly African-American-populated neighborhood rocked by violence and civil rights protests. The film raises intimate discussions of race, faith and family, while also showing Castle's daily routine as a pastor.
The origin story behind one of Broadway's most beloved musicals, Fiddler on The Roof, and its creative roots in early 1960s New York, when "tradition" was on the wane as gender roles, sexuality, race relations and religion were evolving.
The remarkable story of WWII infantryman and photographer Tony Vaccaro, who created one of the most comprehensive, haunting and intimate photographic records of the war using a smuggled $47 camera while developing the negatives in his helmet at night.
Tells about a haunted house that has long been unoccupied by Adit's family. One day Adit and his friends revisited the house, in the house they tried to experiment by installing several cameras in the corners of the room. Until strange events and ghost terror came, the mirror that was integrated with the wall showed the appearance of a rongeng dancer. They tried to get out of the house, but all the doors were locked and they were trapped trying to find a way out of the house.
