Graham Hartley

The Sullivans is an Australian drama television series produced by Crawford Productions which ran on the Nine Network from 1976 until 1983. The series told the story of an average middle-class Melbourne family and the effect World War II had on their lives. It was a consistent ratings success in Australia, and also became popular in the United Kingdom, Ireland, Netherlands, Gibraltar and New Zealand.

The Flying Doctors is an Australian drama series produced by Crawford Productions that revolved around the everyday lifesaving efforts of the real Royal Flying Doctor Service of Australia. It was initially a 1985 mini-series based in the fictional outback town of Cooper's Crossing starring Andrew McFarlane as the newly arrived Dr. Tom Callaghan. The success of the mini series led to its return the following year as an on-going series with McFarlane being joined by a new doctor, Chris Randall, played by Liz Burch. McFarlane left during the first season and actor Robert Grubb came in as new doctor Geoff Standish. The series' episodes were mostly self-contained but also featured ongoing storylines, such as Dr. Standish's romance with Sister Kate Wellings. Other major characters included pilot Sam Patterson, mechanic Emma Plimpton, local policeman Sgt. Jack Carruthers and Vic and Nancy Buckley, who ran the local pub/hotel, The Majestic. Andrew McFarlane also later returned to the series, resuming his role as Dr. Callaghan. The popular series ran for nine seasons and was successfully screened internationally.

Janus is an Australian drama television series screened on the Australian Broadcasting Corporation in 1994 and 1995. Two series were produced, with a total of 26 episodes. Janus was a spin-off series from the earlier ABC-TV crime series Phoenix. Loosely based on the true story of Melbourne's Pettingill family and the Walsh Street police shootings, Janus follows the bitterly-fought prosecutions of a notorious criminal family, the Hennesseys, from the viewpoints of the family, the police and, in particular, the lawyers, prosecutors, barristers and judges involved in all aspects of the story. When the series begins, four members of the infamous Hennessey clan are acquitted of the shooting of two young policemen in a bungled bank heist. The city of Melbourne is shocked as brothers Mal and Steve, along with brother-in-law Darren Mack and friend Ken Hardy, walk free. The prosecutors, judges, magistrates and police—many modelled heavily on real-life legal figures—are determined to put the Hennessey members behind bars if they can. But corruption, legal loopholes, delays, and stretched resources combine to make the quest to jail the group far from straightforward.

Phoenix is an Australian police drama television series. Phoenix screened as two thirteen-part series on Australian Broadcasting Corporation in 1992 and 1993. The first series of Phoenix in 1992 recounted the investigation of the bombing of the Victorian state police headquarters, loosely based on a real case in the mid-1980s, the Russell Street Bombing. It was aided by extensive research into police techniques and was lauded as one of the most realistic depictions of police investigation techniques, including both surveillance and forensics, as well as having an involving storyline. The series was notable for its dark visual tone and for its no-holds-barred attitude to violence and language. It spawned a second thirteen-part series, Phoenix II, in 1993 as well as a spin-off series, Janus, in 1994 devoted to the machinations of court cases. The series was created and produced by Tony McDonald and Alison Nisselle and screened by the Australian Broadcasting Corporation. The ABC have released Series 1 and 2 on DVD as a 4 DVD box set.

On a TV tabloid show, Iya Zetnick exposes Joe Mueller as the Nazi war criminal who killed her family.

The action moves along quickly, jumping over holes in the script, in this made-for-television drama about Eve, an ex-terrorist from Germany who is forced to escape to Australia with her teenage daughter Chrissie when she is sought by Riley, a lover from 17 years in the past. In turn, the IRA has sent two members after Riley because he shot an IRA soldier and must pay the consequences. The two IRA operatives looking for Riley come across a really nasty biker who wants vengeance on Eve for setting his car on fire -- and the three men finally track her and Chrissie to the wine-growing country of Barossa Valley. The final denouement is about to explode, as Riley also arrives on the scene. With under-par acting and a patchy plot, this film was never released theatrically.