Véronique Poirier

Lance et Compte is a series of Quebec téléromans revolving around a Quebec City ice hockey team. The series aired from 1986 to 1989 on the Radio-Canada network, and revival series on TQS in 2001 and on TVA from 2004 to the present. The first season was filmed in both French and English, the English version appearing on CBC Television as He Shoots, He Scores. It was the first television series to air simultaneously in English on CBC and in French on Radio-Canada. The series was scripted by Réjean Tremblay and Louis Caron for the first season, and by Tremblay and Jacques Jacob after that. Following the end of the regular series, a number of television movies continued to air into the 1990s. A new generation of the series started to air in 2001 and a movie was made in 2010.

Bruised from a night of rough sex, a young woman is shocked to find that her body, rather than healing itself, has inexplicably begun to rot. Swept up in the strange sensual experiences brought on by her slowly decaying form, she tries desperately to cling to her new existence — even as the putrid meat sack that was once her young body begins to literally fall off her bones...

A man undergoes a ritual in which he is possessed by three lustful, witchy women of decidedly supernatural pedigree. After his acclaimed Thanatomorphose, genre filmmaker Éric Falardeau is both behind and before the camera in this sensory extravaganza, somewhere between an occult hallucination and a self-portrait of conflicted masculinity, that serves up a heady mix of horror, poetry and unbridled eroticism. A tribute to the magic of Méliès, the early American avant-garde and underground film (think: Kenneth Anger), Asmodeus renders bodies and fluids transcendent through its use of textured black-and-white Super 8 and in-camera special effects. A cinematic memento mori that’s at once carnal and otherworldly.

ANA is: a) An investigation of a cyber-sect linked to the disappearances of several women online. b) A moodboard of the aesthetization of self-destruction. c) A found footage documentary about today's subcultures.

The prey becomes the predator on a quest for murder-fuelled orgasm.

Coming from the countryside to visit a friend, Solange 75, rediscovers Montreal. She talks to everyone with confidence and does some portraits of the people she meets. She meets Tom, a younger, moody and disillusioned man. Fictional scenes are interwoven with documentary scenes: portraits of Montrealers and snatches of conversations taken from life.

A man silently consumed by melancholy after breaking up with his ex-girlfriend begins to watch her through her window.