Yûji Ishida

100 years ago, titans suddenly appeared on Earth. Soon, human civilization veered on collapse due to the titans. Humans then built a giant wall to defend themselves. Within the giant walls, humans lived in peace, but, 100 years later, the giant wall is broken.

Devastated at the death of her four-year-old daughter, a grieving middle school teacher is horrified to discover that her students aren't as innocent as she thinks.

While combing through the belongings of his recently deceased aunt, Matsuko, nephew Sho pieces together the crucial events that sank Matsuko's life into a despairing tragedy.

Momoko, a strange and seemingly emotionless girl obsessed with 18th century France, befriends a Yanki biker and the two experience the ups and downs of their unusual lives in a rural Japanese town.

Ryosuke has a bright future. He just opened a successful restaurant and hopes to tie the knot soon with his alluring girlfriend. But then his father declares he has pancreatic cancer and his betrothed vanishes without a trace. In his father’s belongings, he discovers a secret diary, which starts with an ominous sentence: “Without remorse, I take a life …” Ryosuke is completely spellbound and reads on, discovering that the document is actually the confession of a murderer.

A newbie editor joins the erotic-fiction desk at “France Publishing,” guided (and flustered) by her eccentric boss. In the digital era, the team fights to prove the value of print sensual literature and grows up in the process.

Onuki asks people in a hospital to perform a play for Paco, who suffers from memory disorder. His only hope is to help Paco survive from her illness.

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A university student finds himself wrapped up in the bizarre world of his next door neighbor, learning about his history and relationship with a girl who changed his life.

Two seriously wounded samurai find refuge from a storm at an isolated temple, the home of a swordsman and a mysterious young woman. One samurai awakes to find that not only has his comrade died, but that his wounds have miraculously healed. He discovers that he has been given the power of immortality by the swordsman, a man once known as the legendary Miyamoto Musashi, who now lives an endless existence as Aragami, a "god of battle".

Yuma Nakahara is the CEO of an IT company and he is a workaholic. He is focused only on expanding his company. He receives a phone call from his former co-worker and friend Kouhei, but Kouhei doesn't say anything. Yuma gets the sense that something is wrong and heads to Kouhei's hometown of Shinminato, Toyama Prefecture, Japan. In Shinminato, Yuma meets other people and becomes involved in the Shinminato Hikiyama Festival. His outlook on life begins to change.

Director Yukihiko Tsutsumi wrings laughs out of an unlikely topic -- domestic violence -- in this dark comedy about noodle-shop waitress Yukie Morita (Miki Nakatani), who puts up with the fiery temper, gambling and cruelty of her shiftless, ex-gangster boyfriend (Hiroshi Abe). But as flashbacks reveal, there's a reason behind Yukie's unconditional love for her man. Yûko Natori and Mayumi Sada also star.

Hoping to land a role, two Japanese actresses begin a fight within their apartment that keeps escalating.

Naoko returns home with her young daughter, where her mother Masako runs the only beauty parlor in town. The local women go there to pass the time lamenting their bad luck with men and laughing over dirty jokes. Unbeknownst to them, Naoko has been secretly seeing her former teacher, Kashima.

Kaneko, imprisoned for violence, was a man who would get angry even at his wife if she came to visit. It was the power of family - his wife, child, and uncle - that led this good-for-nothing to start a new life. Kaneko now runs a commissary that provides items to people imprisoned like he once was and visits them on behalf of their families. However, the peace is shattered when a young girl, his son’s friend, is found dead.

Adapted from a sex-stuffed cult novel, LALAPIPO (a play on the phrase “A Lot of People”) follows divergent seedy strands of sexual and narrative spaghetti through the sticky Tokyo night. There’s a chubby freelance writer who’s so obsessed with masturbating to the sound of his upstairs neighbors going at it that he forgets to deal with his own love life and when he finally does have sex he is immediately filled with self-loathing. The upstairs neighbor’s story then splits off like an amoeba: she’s an office lady seduced by a “talent scout” who is falling down the sex industry ladder, moving from hostess, to massage girl, to private karaoke attendant. The talent scout’s story then splits off and runs in its own direction, revealing the sorry state of this young pimp’s soul. From there, the movie takes more and more time to consider the lives of more and more characters until the entire Japanese sex industry is filled with the wailing of lost souls.

Akiko, a young woman, comes to Vladivostok to meet Matsunaga, a young businessman she has met in Tokyo only once. Akiko finally finds Matsunaga. However, he leaves her again, warning her not to trust strangers in a foreign country. She tries to follow him, but she is attacked by thugs and dumped on the outskirts of town.

When a series of teenaged schoolgirl virgins are transformed into vampires,sexy high school student Man Koda (Ayana Sakai) and her friends take it upon themselves to locate the modelling agency responsible and track down and destroy the undead creatures behind it.