Alessandro Magania

Burned out on life, Miles undergoes a strange procedure at a strip mall spa -- and wakes to find he's been replaced by a better version of himself.

Young Jeremiah lives in a stable environment with loving foster parents until the day his troubled mother, Sarah, returns to claim him. Jeremiah becomes swept up in his mother's dangerous world of drugs, seedy hotels, strip joints and revolving lovers. Salvation comes in the form of the boy's ultrareligious grandparents, but soon Jeremiah's mother returns. Maternal love binds the pair together on the road until Sarah's desperate and depraved lifestyle finally consumes her.

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In The Wooster Group’s HAMLET, Shakespeare’s classic tragedy is re-imagined by mixing and repurposing Richard Burton’s 1964 Broadway production, directed by John Gielgud. The Burton production was recorded in live performance from 17 camera angles and edited into a film that was shown as a special event for only two days in nearly 1,000 movie houses across the U.S. The idea of bringing a live theater experience to thousands of simultaneous viewers in different cities was trumpeted as a new form called “Theatrofilm,” made possible through “the miracle of Electronovision.” The Wooster Group attempts to reverse the process, reconstructing a hypothetical theater piece from the fragmentary evidence of the edited film. We channel the ghost of the legendary 1964 performance, descending into a kind of madness, intentionally replacing our own spirit with the spirit of another.

A journey in pursuit of two disparate skulls, each belonging to an enemy of the state, tracking their spirits through the vanished villages of a remote peninsular territory.

A documentary ode to legendary New York City video store Alan's Alley, where bizarrely arranged movies enticed clientele from cinephile to celebrity to local prison inmate. Charismatic owner Alan Sklar sifts through the nuance of his neon-flickering livelihood, in his store’s last days as a fixture in Manhattan’s Chelsea neighborhood.