Acting
Leda Gys (March 10, 1892 - October 2, 1957) was an Italian film actress of the silent era.
No description available.
In 1921, Titanus released a three-part serial based on a popular Italian novel from the turn of the 20th century: Nobody’s Children by Ruggero Rindi. The tale of lovers thwarted by class differences, of illegitimate children and parental recognition denied was a major success for producer Gustavo Lombardo and leading lady Leda Gys.
Antamoro's CHRISTUS, epic in scale and ambition, and featuring decidedly otherworldly special effects, was released in 1916. Telling the story of the Life of Christ, the film is divided into three segments-- three Mysteries. The first of these includes the Birth of Jesus, the arrival of the Magi, Herod and the slaughter of the innocents, the flight into Egypt. The second Mystery features the expulsion of the merchants from the Temple, Mary Magdalene's conversion and Christ's entry into Jerusalem. The third Mystery is itself divided into three separate parts, which are The Passion, The Death and The Resurrection.
Silent adventure film in which a horse riding woman has to save her husband from prison in a enemy country.
To save her profligate brother from disgrace, Giulia (Leda Gys) gives herself to her husband’s best friend and finds herself pregnant; years later her children’s paternity is called into question.
A example of female fantasy is L'Histoire d'un Pierrot (1913), based on a musical pantomime by Mario Costa with Francesca Bertini in the role of Pierrot and Leda Gys as Louisette. The young and naive Pierrot is led astray by the evil wine merchant Pochinet (Emilio Ghione). He hopes to distract Pierrot with drinking and gambling while he tries to seduce Louisette.
A Neapolitan tailor, Nennella (Leda Gys), in love with a painter, who has a slender woman named Paquita (Pina Piovani) as a lover, decides to become, in turn, a diva of variety. One evening, he is on stage with his rival, while the painter is in the proscenium box. To disfigure the enemy, Paquita does not hesitate to resort to unfair means and hires a large claque to be applauded and whistled by her rival. A great commotion arises, in which the two women and their supporters take part. Screams, scratches, bites, seats. In the turmoil, the painter is wounded and, transported to Nennella's dressing room, as soon as he comes to, he seals the pact of love with a kiss.
Grazia de Plessans abandons her studies in a convent following a mystical crisis. In her paternal house, she studies music together with maestro Claudio Morillot with whom she ends up falling in love.
An American director comes to Italy to shoot a film about the beautiful city of Naples, casting Pupatella (Leda Gys), a native of Santa Lucia, the sailors' neighborhood, in the movie. Eager to become a film star, Pupatella returns to America with Billy, but their relationship is destroyed by a misunderstanding.
Italian silent film
An eight-minute fragment of this Italian Golden Age film survives.
