Anna Tysgankova

Young dancer Dima intersects with a mysterious and strict mentor Phil, who encourages him to move not only in dance, but also in life, stimulating him to grow up and self-determination.

Going to see Nutcracker with the whole family has been a tradition in other countries for many years. Now it is a tradition in the Netherlands as well. It became apparent that the Netherlands had also adopted this tradition in 1996, when the Dutch National Ballet presented its own version of the famous fairytale ballet. It is a magical production that has won the hearts of more than 250,000 people to date. Choreographers Toer van Schayk and Wayne Eagling created a Nutcracker for the children and adults of today. It is more dynamic and exciting, and less sweet than usual. They also chose to give a Dutch twist to their interpretation of the story, with skaters on the canals and a living room that transforms into a snowy forest. Unlike the original story, the production by Eagling and Van Schayk (who also designed the delightful sets and costumes) does not take place on Christmas Eve in a German town, but during St. Nicholas celebrations in Amsterdam, around 1810.

Don Quichot – an audience favourite of prestigious companies worldwide – is a dazzling display of high spirits, virtuosity and Spanish temperament. The flamboyant leaps, dizzying pirouettes and crisp pointe work that are standard features of the production give the performers every opportunity to show off their technical prowess. But at the same time, the comic story based on Cervantes’ masterpiece makes strong demands on the dancers’ acting abilities.

Christopher Wheeldon's acclaimed new Cinderella for the Dutch National Ballet is an imaginative interpretation of a much-loved classic. Inspired by the original Brothers Grimm fairy tale, Wheeldon gives the characters renewed depth and complexity, complementing Prokofiev's celebrated and colorful score. With sets and costumes by the renowned designer Julian Crouch, supported by stunning stage effects, this world premiere production is a truly magical experience, bringing an age-old fairy tale into the 21st century.

Anya lives in a foggy reality, living through the consequences of an abortion. What does “my body is my choice” mean when we are talking about a completely different being, completely different from Anya? Trying to find the answer to this question, Anya tries to get closer to her friends and new acquaintances, but is faced with a problem - all of Anya’s friends mysteriously die.

Count Albrecht falls in love with a peasant girl, Giselle. When Albrecht's identity is revealed, Giselle dies of a broken heart. Giselle is summoned from the grave by the evil Queen Myrtha and the lovers are reunited one last time.