Mariusz Grzegorzek

Charles sits for hours in a wardrobe in a rented room on the attic, looking back on his whole life. He was brought up by a single mother who loved his only child with a sick desperate feeling and limited all his world to her own person. Charles' tragedy began with his adolescence. It made his mother aware of her feminity that resulted in her new marriage. Together with a new husband she decided to send the boy to a school for retarded children. Upon leaving the school Charles starts to seek his longing mother who moved out, in a meanwhile, not giving any address.

An portrait of madness and inner turmoil, conveyed through mesmeric images of dreamlike intensity.

The film takes place in two spaces of time. Modern history tells the story of a passing relationship crisis doctor James with her teacher Maria. During the night shift, Jacob is trying to calm the boy. Experiencing a shock that pushes him into the inner journey in time past, in the regions of childhood, to the genesis of his fears and frustrations. The second story waged simultaneously with the first takes place in the nineteenth century, in a nobleman's manor where Maria takes care of the ailing heiress Elizabeth. Elizabeth's daughter, Zofia, is expecting a baby. — Polish Wikipedia

Agnieszka Jaskolka returns with her daughter to her hometown to reconcile with her father. The trip will be a journey back in time to her childhood years.

A love story rooted in dignity. A meaningless affair creates a rift in Martha and Jack's fragile marriage when she falls pregnant. Martha's sister, the lover, and his mother all weigh in with their opinions, revealing personal obsessions and secrets - and never considering the unborn child.

A multi-dimensional portrait of one of the most distinctive artists in the history of Polish cinematography. Wojciech Jerzy Has always hovered over the line where the mainstream met the avant-garde and his biography was marked by moments of artistic triumphs and personal tragedies.

Young actors, not afraid of restrictions, they tell their stories from their hearts - stories which tries to be both authentic and wise as well as crazy and silly. About asking questions in order to touch myself, in order to touch you.

“I am incredibly greedy for feelings," says Kora. She explains this hunger for affection by her dramatic childhood as a four-year-old, estranged from her parents. She is constantly looking for love and people. I love and can't live without a person, I hate as sincerely as possible. Neither a duck, nor a cat, nor a beach, a tree, the sun, nor the stars, the sea, nor the cosmos - everything I admire - can replace this wicked man for me." Kora creates fairy tales all the time. Five of the tales she tells come from the album "Bed": "Just Be," "That's What You're In The World For," "They Say Love Lives in Heaven," Bed" and "They Say Love Lives in Heaven - Reprise." The link between the songs is an "interview" with Kora, her opinion on various topics forming a portrait of the performer.

A documentary on Meredith Monk, a composer, singer, director/choreographer, and creator of new opera, music theater works, films, and installations. She pioneered what is now called "extended vocal technique" and "interdisciplinary performance."

No description available.

A portrait of David, a boy diagnosed with autism.