Viktorie Knotková

Alice Nellis's small-scale debut tragicomedy spotlights small-town elections. The protagonist, a university student name Jana (Theodora Remundová) who is trying to solve a troubled relationship with a married man, takes her mother's place on the election commission. In the meantime the mother (Iva Janzurová) is going through her own small domestic crisis with her husband (Leos Sucharípa). Thanks to excellent acting performances and restrained direction, the film convincingly outlines interpersonal relations and their light social overtones.

Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.

A very free adaptation of Marlowe's "Doctor Faustus", Goethe's "Faust" and various other treatments of the old legend of the man who sold his soul to the devil. A nondescript man is lured by a strange map into a sinister puppet theatre, where he finds himself immersed in an indescribably weird version of the play, blending live actors, clay animation and giant puppets.

In this movie, TV sets are full of life. If a person is in TV (e.g. because it was filmed on the street) it has a double that's right in the TV set. This double needs energy from the true character to survive. Each time, the real human watches TV, his Double will pull life energy from him. So there's a mysterious Death-serial. Many persons die in front of their TV set and nobody knows why. Olda, the main character, is one of the persons, that get more and more weak. He is near death, till Fisarek, the natural healer appears. He teaches Olda how he can resist this magic force and how he can fight it.

Martin is an innocent lad from small-town Mlada Boleslav who comes to big-city Prague, hoping to exchange his krona for deutschemarks so that he can visit Germany. A local spiv named Robert obliges Martin, but at an unfair exchange rate. When Martin finds out he was rooked, he plans revenge on Robert ... but then decides to join Robert's gang instead.

During WWII a youth deserts his country's army after a combat experience, but not before wounding his commanding officer with a knife in order to escape. The young man, now very emotionally distraught, dresses in women's clothes and eventually joins a passing gypsy caravan, who think him a young girl... as well as a kind of seer, or 'rawney'. In time, however, he regains some composure and becomes attracted to one of the gypsy girls, which only leads to problems within the gypsy band, especially when the wounded commanding officer finds him.

Between 1924 and 1934, six children grow up in an apartment building in the Munich suburbs. Among them is the rather inconspicuous and melancholy Leo Knie, who has been in love with the pretty Marilli Kosemund since early childhood. Marilli is not averse to the young man's advances, but she wants to be conquered. But that is exactly what shy Leo finds difficult. So he escapes into harmless dancing with his buddies, pursues other girls - rather unsuccessfully - and resigns himself to his predetermined fate.

A striking generational tragicomedy, A Hoof Here, a Hoof There is a caustic group portrait of pals who enjoy a tipple, all kinds of hi-jinks and no-strings sexual adventures. Auditor Pepe, vet Dědek and restaurant manager František are financially secure and enjoy life with their similarly fun-loving girlfriends—at least until the moment when the brash Pepe collapses and ends up in hospital.

The main character of the story, which is a sensitive probe into the soul of a little girl, is five-year-old Kačka Znamínková, who lives with her parents in a picturesque village in the foothills. And because she has a very vivid imagination, she becomes not only a princess with a golden star on her forehead, but also a princess on a pea or a crocodile hunter. Together with her parents, she is expecting a new sibling to be born any day, but she will only be happy if it is a little sister. She doesn't even want to hear about a little brother. But in the end, instead of the expected little sister, she gets two brothers, so...

Twenty-one years (1968 - 1989) in the life of violinist Jan, whose life and social situation forced him to make compromises and personal concessions.

No description available.

Dr. Štěpán, dismissed for his outspokenness, returns to his hometown determined not to bend his ethical principles to the ruthless new capitalism surrounding him. When he meets a young woman who may become the meaning of his life, he must confront the tension between his ideals and the demands of a changing world.

A romantic fairy tale about how a castle lady found her lost son, who demonstrated rare bravery, kindness of heart and intelligence. He answered the White Fairy's difficult riddles and thus obtained a miraculous seed, which was to restore Princess Johanka's speech. He was also able to forgive the chamberlain's son for depriving him of the seed and never forgot the cottager Blažej, who raised him for years when he was deprived of his castle home by intrigue. Milena Medová, the author of many television fairy tales, managed to write an original story about human calculation, envy and resentment, but also, and most importantly, about wisdom, courage, the art of forgiveness, i.e. about qualities that should be valued.

Two inseparable friends, Vyžilý and Boudník, a village self-made talent and a not-so-successful professional theatre actor, want to make a living as entertainers. But they are running up against both the ceiling of their abilities and the disfavour of the approval authorities. The normalization era of the 70s and 80s does not favour anything distinctive and both heroes repeatedly experience setbacks. Although the story of a lost generation was planned at the end of the former regime, it was not released until 1990.

Adam is a young farmer. As a child, fleeing the bleak reality of his mother's life as a prostitute, he tumbled from a mountain and was mentally injured. Years later, his mother is dying, so Adam sells their only cow to pay for medicine. Rosa, a beautiful young maid, fleeing the sexual exploitation of a wealthy butcher, climbs up to join them on their remote farm and dares to become part of Adam's world. A cycle of life begins again, in a remote turn-of-the-century village tied to the land and its animals.

In the second half of the 1980s, so-called critical films began to emerge, but they were afraid to make a sharper statement, moving on the basis of an engaged morality that wanted to improve the existing conditions cosmetically at best. The theme of the search for a new anchor in life becomes a central element: the protagonist, after returning from the war, does not want to devote himself to the constraints of elite sports, he rejects the dubious business of a friend. Most of all, he would be attracted to a perfectly ordinary job in a bakery. The dance clip inserts, however, make it difficult to navigate the already rather confusing narrative.

The heroes of this wacky spectacle are the large Karafiát family, who, in the emerging market conditions, decide to abandon their current way of making a living (stealing funeral wreaths and transforming them into artfully tied bouquets) and start a business. This is how the peculiar travel agency Český ráj, built on the ingenious idea of not taking poor Czech tourists abroad, but on the contrary, rich foreigners to Bohemia, sees the light of day. Thanks to a quirky advertising campaign, a motley mix of French people actually manage to board a bus in Paris and set off. But the Karafiats' entrepreneurial worries are just beginning.

Sad love story about Martin, who is sent to a psychiatric hospital for observation after displays of hooliganism, and Markéta who is recovering from post-traumatic shock after her mother's suicide.

No description available.

A parable for the end of totalitarianism. Three protagonists - a high official, a secretary, and a border guard - representative of three generations (1948, 1968, 1988) are forced to confront their ideals and places in society through the events of one strange night.