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Joseph Hillel

Directing

Known For

Soft Shell Man
6.7

An emotionally immature underwater photographer returns home to an affair with his best friend's deaf girlfriend and unresolved issues with the wife he left six months before.

Soft Shell Man

2001
At All Kosts
8.0

An acting ensemble rehearses for an upcoming theater festival. They rig up stage scenery and practice dialogue and set pieces in the middle of a residential area. But this is no ordinary theater setting, as evidenced by the armed guards at the entrance. Festival 4 Chemins is taking place in Port-au-Prince, the capital of Haiti. Gangs are active in the city; you can hear machine-gun fire in the distance.

At All Kosts

2025
City Dreamers
8.0

Urban architecture as seen through the eyes of four female veterans in the field.

City Dreamers

2018
Regular or Super: Views on Mies van der Rohe
9.0

Regular or Super is a fascinating and informative introduction to the work of Mies van der Rohe (1886–1969), one of the 20th century's most influential architects, and a thought-provoking demonstration of the social and artistic contributions that architecture at its best can make to our urban environments

Regular or Super: Views on Mies van der Rohe

2004
Snooze
8.0

A young man's motionless journey between dream and reality.

Snooze

2002
No image
8.0

A young couple heads to their cottage for the weekend. They find an unexpected visitor. Tension rises.

Discharge

1999
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N/A

No description available.

Sur les pas de Rhodnie

2021
Karsh is History: Photographing Icons
N/A

A portrait of legendary photographer Yousuf Karsh through told through his breathtaking photography.

Karsh is History: Photographing Icons

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N/A

It sometimes seems that everything to be said about Haiti has already been said. The global media has released countless reports, documentaries and interviews. Despite the apparent saturation, in this film Joseph Hillel succeeds in taking a broad yet unique look at the ostensibly well-known country. His approach is simple: letting Haitians speak for themselves and increasing the number of points of view on the record. Sociologists, historians, street urchins and Vodou priests all have their say, and all share the same desire to show off the diversity and richness of a people too often subject to outsiders’ harsh judgment. Rather than indulging in simple idealization, AYITI TOMA explores the complexity of the many challenges still facing a unique people whose culture and history are as magical as they are dark.

Ayiti Toma

2013