Acting
With WWI finally ending in 1918, Croatian journalist Kresimir Horvat travels from Zagreb to his village of Vucjak in Zagorje and becomes a witness of history as Austria-Hungarian Empire dissolves.
The last play that Miroslav Krleza ever wrote. Especially interesting is the directorial concept, which sets the play in the space of the old Dubrovnik fortress, and used the audience as semi-active participants in the event. Two acting ensembles played for different audience with a short time lag.
A theater premiere of Timon of Athens ends with a rapturous applause from the audience, and Boris, the lead actor (Boris Buzančić), is congratulated for having played the role of his lifetime. Encouraged by the sense of his own worth, he starts a romantic affair with a prompter, spurring gossip in the theater. The ensemble embarks on a tour, but as their performances achieve more success, Boris is becoming less liked among his colleagues, and he begins to experience the fate of the character he is playing...
It’s the winter of 1942. A freight train on the section of the Slavonian railway Vinkovci-Nova Gradiska is under a special Gestapo escort. Fleeing misfortune and evil brought by war, the last wagon is the place of encounter of politicians, war smugglers, deserters and tamburitza players.
WW2 story about group of prisoners who are trying to escape the death camp, run by local pro-Nazi militia.
The plot takes place in Croatia during and immediately after the April war in 1941. The protagonists are a group of soldiers of the Royal Yugoslav Army of Croatian nationality, some of whom will join the Ustashas and the newly founded NDH after the war, and some the anti-fascist movement.
Yugoslav Partizans, captured by Nazis, are sent to concentration camps in distant Norway. The local population help some Partizans survive or flee to neutral Sweden.
