Camila José Donoso

The players of the Chile women's national football teamnot only fight against other teams but they also face the prejudices and inequalities of a historically male field.

Yermén is a transsexual woman in her mid-thirties that works as a tarot reader, and lives in the emblematic low-income neighbourhood of La Victoria. Looking for a sex reassignment, she decides to try for a plastic surgery TV show, where she will meet an enigmatic immigrant who wants to get an operation to look like Naomi Campbell.

You’d never know this is your home away from home. The surveillance camera outside shows a drab reception area and an unremarkable street in Mexico City; inside, the lights flash, but the tables are empty. Yet preparations are soon underway and fixed categories cease to apply: stubble is removed, make-up applied and strands of hair are teased into place; the camera is trained not on the men themselves, but what they see in the mirror.

Josefina, a radical homemaker, committed a crime of passion that led her to self-exile at a coastal town. She tries to find peace in solitude, immersed in the house routine, while coexisting with a past of lovers and Molotov cocktails. Her body suffers the metamorphosis of aging, and she must undergo cataract surgery.

In a city battered by capitalism, overwork, and loneliness, a group of Caribbean women recently arrived in Chile survive working at the popular “cafés con piernas” –literally “coffee with legs”–

A father reflects on his strict upbringing in early 1960’s Puerto Rico, as Hi8 videos - filmed by his son - reveal his son's fascination with violence during his carefree, playful youth.