Tatiana Gaviola

Daily interviews discussing the guest's personal lives and national contingency.

Fictionalized stories based on real events about young people starting their sexual lives.

A determined teenager must rely on her own wits when her fractured family abandons her.

Teresa Wilms Montt is a writer, a rebellious woman, tormented and beautiful. He marries at age 17 challenging family opposition. She falls in love with someone she should not and the family court condemns her to confinement in a convent. Separated from her two daughters, she escapes to Buenos Aires with Vicente Huidobro. From that flight her life becomes an exciting and tragic itinerary.

A mix between documentary and fiction, Ángeles shows the story of a group of university students who are disappearing, and focuses specifically on the story of Juan Maino.

A group of college students gradually disappear, with no explanation.

A female television journalist has a strange affair with a terrorist.

Chilean documentary that records a demonstration organized by the collective Women for Life (Mujeres por la Vida), held on August 29, 1988, in Paseo Ahumada in Santiago. During this public intervention, a thousand life-size black silhouettes were placed throughout the street as a symbolic memorial to the victims of repression during the military regime of Augusto Pinochet. The action sought to make visible the detained and disappeared, exiles, political prisoners, and all those affected by political violence in Chile at a time when many of these realities were still being silenced. Through the documentation of the protest, the film captures the collective’s call to remember and to keep historical memory alive, while the demonstration is eventually met with violent police repression.

Film inspired by the real story of Rodrigo Rojas de Negri. Killed on July 2, 1986 during the first national protest against the dictatorship of Augusto Pinochet.

The artist's voice-over saying "No, I wasn't happy" marks the beginning of the video-recording of this, her first art action, which consisted in the intervention to a traffic sign along a mile, specifically on Manquehue Street, in Santiago de Chile. A fundamental work within the history of 20th century Chilean art.

Testimonies about the social and feminine marginality of female residents. The need to face problems through collective discussion. Filmed in a camp in Ochagavía.

Portrait of the new face that the center of Santiago acquired during the 80s. The Ahumada walk along with the social and survival demonstrations that converge there. The coexistence of street vendors, preachers, executives, unemployed people from the show who set up an "office" to engage in new jobs, alternates with flippers, topless and cafes that forever changed the heart of the city.