Ivano De Matteo

Love, business, anxieties, friendships, feuds, and resentments paint the picture of the main story, that of a group of criminals who for nearly fifteen years, from 1977 to 1992, cherished an illusion: that of conquering Rome. The Lebanese, Freddo, Dandi, Patrizia, and Commissioner Scialoja are some of the characters inspired by the true story of the Magliana gang. As stated by Aldo Grasso, the first season of the series gives more space to the crime scene, that is, the criminal exploits of the Magliana gang, while the second season delves deeper into the "behind the scenes" of the crime: thus, the gang's repositioning after a key plot event, and the effects and questions this has provoked in the protagonists' consciences.

Anthology crime series penned by some of the foremost contemporary Italian noir writers (Camilleri, Faletti, De Cataldo, Carofiglio, Lucarelli, Fois...)

A middle-aged man, Pietro, becomes a widower and must take care of his daughter. He will never have the time to delve into his own pain, committing himself to raising his daughter with love and dedication, in an all-encompassing relationship in which one heals the other's wounds through his own. When, after a few years, he tries to start a new life with a new partner, not everything will go as hoped: his daughter's reaction will be exaggerated and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct.

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Story about two brothers and their wives, and the interactions between them and their two high school age children. When the kids get into serious trouble together, how will the parents relationships change with and among each other? Will the parents protect the kids or force them to face the consequences of their actions?

The story of a small, simple and happy family in which a boy, a manipulator, violently enters, which distorts the life of this wonderful fifteen-year-old and makes her a nightmare.

In search of purpose, 17-year-old Claudio helps easygoing mechanic Stefano build a car capable of winning a street race that could solve his financial problems, but gets himself involved with the latter's former girlfriend.

Collective film for the 60th anniversary of the Universal Declaration of Human Rights, with 30 directors each helming a segment about one of the 30 articles of the Declaration.

Rome 2003, the camera follows citizens of Rome. Night, in a flat, a woman prepares her husband's lunch. The man takes a bus, but the camera follow another bus ... a woman cleans the mayor's office... A man interviews passengers on a bus about immigration...... the owner of a bar is racist person... a survivor woman of Holocaust remembers the Ghetto deportation... deportation that is filmed by a director... Stefania Sandrelli plays with her grand daughter in a park a man tries to seduce the bus driver...gay night life... sunrise at Piazza Navona, a noble man and a tramp are sitting together. - - - Gente di Roma is a 2003 Italian comedy mockumentary film directed by Ettore Scola. It is close to Federico Fellini's Roma. The film is dedicated to Alberto Sordi, who Scola wanted to close the film, as a noble man, but he could not film him because he died. Scola's daughters helped to co-write the script. (From Wikipedia, the free encyclopedia)

The Champions League Final, on 31st May 2001, in Rome. A football match unites men that have nothing in common with each other. The stadium becomes a modern Greek theatre, where five dramas touch one another, only to fade away in a few minutes. The main characters are, Simone, Alice, Gabriele, Pietro and Achille, all different types of people, of different ages, all looking for a place to find some peace and quiet, a taste of happiness and love, as well as someone to trust in. At the last stage people laugh, but there is always a bitter note to their laughter. And their laughter is louder and more satisfying the greater their adversity. Indeed, in the end, there is always a reason to go on, a final stage from which to rise.

Antonio is a fallen angel, a rootless chauffeur who relates only to the lonely heroes in the science fiction novels he grew up with. Only through a chance meeting with Maria, a woman struggling to hold onto her daughter and her business, does he discover a hope that's been in his detached existence.

Anna and her son Valerio run away from a husband and a father who has destroyed the love of their family with beatings and anger. They seek refuge in Turin, with Carla, a lifelong friend, an actress and a woman who lives against the grain, who welcomes them, and with the example of her own experience, will show them the way to a just and possible rebirth.

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Giulio suddenly finds himself having to change his life when his wife, after discovering his betrayal, asks for a separation and, suddenly, the reality around him is no longer the same. Forty years old and father of two children, Giulio is forced by circumstances to say goodbye to family and economic well-being and to study new solutions in order to stay afloat and not drown in a new poverty made of double rents and double bills to pay, solitary lunches in fourth-rate restaurants, children's wishes not to be ignored and creditors to hide from.

A lone robber riding a maxi scooter, each time looking different, robs one bank and jewelry store after another, always managing to slip away through the streets of Rome. To solve the case, Commissioner Murena asks for help from a friend in Paris, known as the Frenchman, a former commissioner with a keen instinct. The solution will be surprising.

In Pasquale Pozzessere's debut, a woman just out of prison falls in love with a man who saw steaing form a collection box in a church. Some critics saw a dry style next to Pasolini's as the director shows the two desperate individuals effort to build a sort of precarious family. In the end you could almost feel there's still a slender thread of hope for them to hang on

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Alfredo and Susanna are two well-off fifty-year-olds who lead a stimulating cultural life. He is an architect and she is a psychologist; they live in Rome but spend their weekends at their country home in Umbria, where they love to spend their days walking in the forests or relaxing poolside with a good book. One day, as she goes into town, Susanna sees a girl prostituting herself in the bushes on the side of the road and decides to save her from her unhappy existence, despite the enormous differences that separate their ways of life.

A sudden tragedy hits a wealthy middle-class family from North-East Italy. Tensions, hidden secrets and small hypocrisies emerge.

Fifteen-year-old Sabrina has lived with her father since he split with her mother. As the film unfolds it gradually becomes clear that Sabrina is a victim of incest.