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James Dunn

James Dunn

Acting

Biography

James Dunn worked on the stage, in vaudeville and as an extra in silent movies before he was signed by Fox in 1931. His first movie with Fox was 1931's Sob Sister (1931). While at Fox, he appeared with Shirley Temple in her first three features: Baby Take a Bow (1934), Stand Up and Cheer! (1934) and Bright Eyes (1934). Dunn's screen character was usually the boy next door or the nice guy. In 1935 musicals at the new 20th Century-Fox were out and Dunn would move to the "B" list, from which he would never return. In The Payoff (1935) he plays the nice guy newspaper columnist whose wife ruins his career. By the late 1930s he was drinking heavily and become unemployable. He would appear in small roles in films during the early 1940s, but those parts were few. In 1945 he was able to make a comeback and win the Oscar for Best Supporting Actor in A Tree Grows in Brooklyn (1945), but his rejuvenated career would not continue. By 1951 he would again be unemployed and bankrupt. Television would later supply some work and he would be a regular on the series It's a Great Life (1954). Dunn was born 2 November 1901, New York City, New York, USA, and he died 1 September 1967, Santa Monica, California, USA  (following abdominal surgery)

Known For

Matinee Theater
5.3

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Matinee Theater

1955Series
The Wonderful World of Disney
7.9

Walt Disney Productions has produced an anthology television series under several different titles since 1954. The original version of the series premiered on ABC, Wednesday night, October 27, 1954. The show, which was hosted by Walt Disney until his death and then from 1996 to 2002 by then-CEO Michael Eisner (with one-off hosts or no hosts during other periods) has since aired continually as either a weekly program or an irregular series of specials on several networks and streaming services, most recently on ABC and Disney+. The show is the second longest showing prime-time program on American television, behind its rival, Hallmark Hall of Fame. However, Hallmark Hall of Fame was a weekly program only during its first five seasons, while Disney remained a weekly program for more than forty years.

The Wonderful World of Disney

1954Series