Lieven Van Baelen

When 65-year-old Fatima discovers that her husband has been living a double life in Morocco for the past ten years, her world collapses. Furious and determined not to let fate get her way, she decides to pick up where she left off 50 years earlier, when she was to play Hamlet. Together with her best friends Mériem, Romaissa and Inès, three other grandmothers from Molenbeek, these "Baronnes" are about to make a decision that will turn their lives, those of their entourage, their neighborhood and the whole country upside down.

Nicky breaks both of his feet, and asks his cousin Carlo to stand in for him during a footballmatch. But when Carlo is picked up on the day of the match, he gets in the wrong car.

Nicky, a young ambitious and confident pure blooded motorcyclist. He always puts his life on the line while racing, not for the money but for kicks, respect and fame. When he gets into an accident, his world crumbles apart, not sure whether he’ll ever be able to race again. He has trouble accepting this new life and turns to his sister-in-law Vero and her son Charlie to start over. But the adrenaline junkie inside him rears his ugly head and Nicky tries relive his dream by coaching his nephew Charlie. It quickly becomes clear though, that they’re not cut from the same cloth.

In 2004 Wim Vandekeybus shot a 52-minute feature based on his successful performance Blush. Carried by the music of David Eugene Edwards and Woven Hand and with texts by the Flemish author Peter Verhelst, Blush is a dazzling voyage swinging between the heavenly landscapes of Corsica and the slummiest depths of Brussels. It is an exploration of the savage subconscious, of mythical forests, of conflicting instincts, of imagination, where the body has reasons unknown to the mind. In dance sequences of attraction, confrontation and repulsion the performers take on animal metamorphoses…

A motorcyclist draws a red line in the middle of the desert. The line must never be broken, nor be passed.