Carole Laganière
Directing
Known For

A girl working in a crisis center has a curious experience after receiving a call for help. Belgian actress and director Yolande Moreau has an unforgettable role here, one of her first films. A fauna of truculent characters lives this short film at once tender and joyful realized by the Quebecoise Carole Laganière during her studies in cinema in Belgium.
Le jour de congé

Sylvie Giroux doesn’t have kids, but every year, from September to June, about 10 teenagers aged 16 to 21 add a bit of magic to her life. These youngsters suffer from autism, Down syndrome, dyspraxia, severe anxiety and intellectual handicaps.
Sylvie à l'école
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Guillaume

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Le mouchoir de poche

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Vues de l'Est

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La fiancée de la vie
Aline is Michel's daughter, whom he has taken away for the holidays. Aline agrees: she knows how much her father needs love. She knows it so well that she encourages his romance with Julie, a social worker. And Michel succumbs because she feels just as great a need for love as he does. But Léo, Julie's ex-lover, a junkie and car thief, is hanging around. Three adults in need of love. A need that Michel wanted to fill first with Aline, then with Julie. But the void is too great. Aline knows this, and that's why she agrees to love him, her father. For real, this time.
Aline

Carole Laganière dives deeply into personal territory in this beautifully crafted exploration of absence and loss and its painful effect on daily lives. Inspired by her mother’s steadily advancing Alzheimer’s and the inevitability of her estrangement, Laganière weaves their story with the stories of others wrestling with loss: Ines, an immigrant who returns to her birth country of Croatia to find the mother who abandoned her during the war; Deni, an American author who’s finally able to search for his Quebec roots; and Nathalie, who’s desperately looking for her missing sister. Through their experiences the film ponders how absence is often the catalyst for a quest—a quest for information, understanding and often acceptance. Through its many voices, Absences speaks to us of the immense fragility and resiliency of human emotions.
Absences
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Quartiers sous tension

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Un toit, un violon, la lune

They are cowboys, musicians, singers, or simply fervent fans. For half the year, this colorful crowd evolves in a world apart where everything is lived under the reign of country music. Traveling with them to Quebec country festivals, Carole Laganière discovered a culture imbued with human warmth. Her documentary allows us to share, and ultimately understand, the passion of these enthusiasts who travel from city to village to live to the rhythm of country music.
Country

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Un printemps incertain

Filmed in a refuge for abused women, Break Free shows the courage of these women, most of whom tell their story openly to the camera. The film chronicles the shelter’s ups and downs, its dramatic and happy moments, and at its heart we get to know the residents and workers of the L’Escale in Sherbrooke. Break Free was filmed over more than three months and reveals the immense wounds of these women and the great generosity of the ones who try to heal them.
Break Free

Documentary that chronicles daily life at Maison Michel Sarrazin, a palliative care home in Quebec where different patients spend their final days. Men and women facing death try to reclaim the dignity that illness has taken from them. The camera accompanies those intimate, everyday moments where life and death brush against each other: a caress, a conversation, a shared silence between those who care and those who say goodbye.
Los adioses

Absence means heartbreak and lack. A kind of inner turmoil then sets in, which often leads to a personal quest. At the origin of the film is the director's intimate drama of seeing her mother, suffering from Alzheimer's disease, drift away from her as her memory fades. This apprehension of a coming separation serves as a link to other beings struggling with a form of absence.
Absences

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L'Est pour toujours
Hubert Durieux is a mild-mannered provincial banker whose orderly life—with an ex-wife, an adoring daughter, and a mistress—gets hilariously upended when he becomes entranced by a free-spirited Roma woman who steals his car and hides in its trunk.