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Gelly Mavropoulou

Gelly Mavropoulou

Acting

Biography

Gelly (Angeliki) Mavropoulou (Thessaloniki, 21 October 1932 – Athens, 19 July 2021) was a Greek actress. She was born in Thessaloniki in 1932. Her parents were also actors Angelos Mavropoulos (1901–1979) and Marika Krevata (1910–1994). She studied at the French Academy of Athens and at the Drama School of the "Art Theater" of Karolos Koun. Geli Mavropoulou first appeared in the cinema in 1953 with the film Papa is Being Trained by Giorgos Lazaridis and was followed by leading roles in more than 40 more films covering all genres of Greek cinema from the period 1950-1980, classic comedies (The Beauty of Athens, by Nikos Tsiforos, 1954; The Aunt from Chicago by Alekos Sakellarios, 1957; Fanouris and His Family by Dimitris Ioannopoulos, 1957; Fortunately I Went Crazy by Kostas Andritsos, 1961; Company of Miracles by Stefanos Stratigos, 1962; The Gentleman's Wife by Yiannis Dalianidis, 1962; The Messer by Grigoris Grigoriou, 1967), melodramas (Red Roses by Kostas Andritsos, 1955; The Little Sprout by Jason Novak, 1955; The Wandering of an Innocent by Kostas Andritsos, 1959; The Road with Red Lights by Kostas Karagiannis, 1963; Every Port and Woe by Homer Efstratiadis, 1964), resistance adventures (The Brave Die Twice by Takis Vougiouklakis, 1973), historical dramas (Ali Pasha and Lady Frosini by Stefanos Stratigos, 1959), frock films (Myrtia by Kostas Karagiannis, 1961), film noir (Crime in Kolonaki by Tzanis Aliferis, 1960; The Kidnapping of Kostas Karagiannis, 1964; Emergency Exit by Nikos Foskolos, 1980), spy thrillers (The Avenue of Betrayal by Christos Kyriakopoulos, 1969), and even films of the new Greek cinema (The Honeymoon by Giorgos Panousopoulos, 1979). Her last film appearance was in the film 17 Bullets for an Angel (1981) by Nikos Foskolos-Takis Vougiouklakis. Her greatest cinematic successes are considered to be the role of Katina, the unmarried girl who must be rehabilitated at all costs in the film Fanouris and His Family (1957) by Dimitris Ioannopoulos, alongside Mimis Fotopoulos, the role of Eva, the cunning and ambitious middle-class woman who directs her husband's career, in the film The Gentleman's Wife (1962) by Yiannis Dalianidis, alongside Dinos Iliopoulos, and the role of Dimitra, the widow of Lieutenant Avgeris, who hires a double to play her husband, in Takis Vougiouklakis' film The Brave Die Twice (1973), alongside Angelos Antonopoulos. It is worth noting that she is the protagonist who launched rock and roll in Greek cinema, along with Theodoros Dimitriev, in the film The Aunt from Chicago (1957). She died on July 19, 2021, at the age of 88. Her body was cremated, and her ashes were interred in the mausoleum of Greek artists at the First Cemetery of Athens. (Source: Wikipedia)

Known For

The Auntie from Chicago
6.7

Charilaos (Orestis Makris), a retired officer with very strict and conservative principles, raises his four daughters with... military discipline, taking care of their culture, their appearance and their good behavior. Despite all his desire to marry them, he does not leave them anywhere alone, as a result of which no man approaches them. His wife, Efterpi (Eleni Zafiriou), as well as his friend and neighbor Xenophon (Pantelis Zervos), make remarkable efforts to convince him to change his tactics, but he insists on his very conservative behavior. But when the conversation reaches the well-to-do sister of Kalliopis (Georgia Vassiliadou) who has been living in Chicago, USA for years, everything turns upside down. She returns to Athens and undertakes to modernize the general's house, as well as help the four girls (and her nieces) to be rehabilitated.

The Auntie from Chicago

1957Movie
1821 at the Cinema

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

1821 at the Cinema

2021Movie
Twenty Women and I
6.6

A bunch of women dominates Kostas Filipou's life. His mother Smaro and his three sisters: married Rika - who wants to take a divorce -, religious Fanouria and Tzela the student. The last two have to get married. There are also the women who work at the women's lingerie business that he runs, many of whom see him as a potential husband, as well as Betty, a colleague deeply in love with him, whose mother pressures her to get married. When Kostas secretly marries Betty, who rents with her mother an apartment above theirs, Smaro decides to find both of them a mate. She suggests to Betty the neighborhood's electrician- but Kostas finds a way to break the match- and to Kostas a young woman from Veroia- but Betty manages to break the match. The revelation of the couple's marriage relieves everyone and the fact that Betty is pregnant brings the desired peace and serenity.

Twenty Women and I

1973Movie
Oi 900 tis Marinas
5.7

In a countryside village, a veteran politician, Damalas, and a young attorney, Ntinos, son of the village doctor, are rivals in the upcoming elections. Main controller of the political dispute is the all-powerful president of the village, Spyros Dalengos, who affects 900 of the inhabitants. The power acquired by those 900 people is the only dowry of his daughter Marina, who is in love with Ntinos. He has fallen for her to, but his conscience doesn't allow him to accept the unrighteous deal offered by Dalengios, who, after that, decides to support Damalas. However, Marina secretly changes the ballots handed out by her father's men, granting victory to her beloved, who goes straight to ask her to marry him, certain that he won thanks to his own abilities and effort.

Oi 900 tis Marinas

1961Movie
Golgotha of an Innocent
9.0

The beautiful gypsy Marina, who has never known her father, decides to leave her mother and the gypsy camp and go to live in the city. With Katerina's help, she finds a job in a shop where she meets and falls in love with Petros, heir to the wealthy Alexandros Kanaris. The two lovers plan to marry, but Petros' father, who is naturally opposed to such a marriage, learns of Marina's origins. The great suffering begins when she tells Petros the secret, and he kicks her out of the house because he considers gypsies to be lowly. However, he does not know that Marina is pregnant with his child. Six years later, when Petros returns to Greece after completing his studies in cardiology, little Annoula—his daughter, whom Marina had left at Kanaris' doorstep—will be the reason her parents reunite.

Golgotha of an Innocent

1961Movie