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Frank Fouce

Production

Known For

The Criminal Code
6.1

After young Robert Graham commits a murder while drunk and defending his girlfriend, he is prosecuted by ambitious Mark Brady and sentenced to 10 years. Six years later, Brady becomes the prison warden and offers the beleaguered Robert a job as his chauffeur. Robert cleans up his act, but, on the eve of his pardon, his cellmate drags him back into the world of violence, and he faces a difficult choice that could return him to prison.

The Criminal Code

1931
Ten Cents a Dance
6.8

A taxi dancer with a jealous husband finds herself falling for a wealthy client.

Ten Cents a Dance

1931
Men in Her Life
6.1

A wealthy ex-bootlegger comes to the rescue of a formerly rich society girl after her gold-digging fiancé leaves her stranded when he finds out she's broke. The bootlegger proposes a deal: he will settle her debts if she teaches him how to be "a gentleman".

Men in Her Life

1931
Blood and Sand
5.8

Juan is the son of a poor widow in Seville. Against his mother's wishes he pursues a career as toreador. He rapidly gains national prominence, and takes his childhood sweetheart Carmen as his bride. He meets the Marquis' daughter Doña Sol and finds himself in the awkward position of being in love with two women, which threatens the stability of his family and his position in society. He finds interesting parallels in the life of the infamous bandit Plumitas when they eventually meet by chance.

Blood and Sand

1922
When Knights Were Cold
6.3

Though only the second half survives, here's a synopsis of what's left: Stan is a Robin Hood-type character in a medieval walled town. He's chased by an army of knights, but both he and his pursuers ride music-hall half-horse costumes in lieu of real steads. He proceeds to fight, Fairbanks-like, dozens of swordsmen at once, and defeats his rival one-on-one, leaving him to marry the princess in a state ceremony.

When Knights Were Cold

1923
Carne de Cabaret
5.5

This is the Spanish-language version of Ten Cents a Dance (1931), shot concurrently with a different cast but the same director, Christy Cabanne (as "Wiliam Cabana"), and also Mexican director Eduardo Arozamena.

Carne de Cabaret

1931