Aud Mason-Hyde

Hannah and her non-binary teenager Frances visit her gay grandfather Jimpa in Amsterdam. Frances expresses a desire to stay with their grandfather for a year, challenging Hannah's parenting beliefs and forcing her to confront past issues.

When the matriarch of an unconventional family decides to sell the family home to rid herself of debt racked up by her ex-husband, she provokes existential crises in her children as they return to Adelaide to say farewell.

Sixteen-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition, and their time together becomes limited to Tuesdays. This emotionally charged story of desire, responsibility, and transformation was filmed over the course of a year—once a week, every week, only on Tuesdays.

A comedy drama told from six different perspectives of a family who reunite in Adelaide when Mum plans to sell the family home. Any sense of togetherness quickly crumbles to reveal how fucked and glorious it is to be home.

After coming out as non-binary to their parents, Grace materializes at their future selves’ birthday party and realizes everything they want to be is inside of them.

George the service robot lives a monotonous life working a convenience store. Until one day, George is thrown into disarray when Sid the human attempts to make a connection.

This is a film about 12-year-old girls, made by 12-year-old girls, for 12-year-old girls, or anyone that has been a 12-year-old girl, or will be a 12-year-old girl, or wishes they were a 12-year-old girl. This inquisitive cross between a documentary and a theatre piece was created by Tilda Cobham-Hervey and twelve 12-year-old girls, where real girls articulate what they hope for, what they remember and what it feels like to be twelve. Performing themselves in a filmed field guide, together these specimens investigate their own species.