Toshio Yasumi

After their lord is tricked into committing ritual suicide, forty-seven samurai warriors await the chance to avenge their master and reclaim their honor.

Professor Nishiyama, after studying and interpreting the prophecies of Nostradamus, realizes that the end of the world is at hand. Unfortunately, nobody listens to him until it is too late. As the effects of mankind's tampering of the earth - radioactive smog clouds, hideously mutated animals, destruction of the ozone layer - rage out of control, the world leaders hurtle blindly toward the final confrontation. The film sparked controversy in Japan and was subsequently pulled out of circulation, with no official video release of the uncut film.

1962 Japanese movie

The legend of the birth of Shintoism. In Fourth Century Japan, the Emperor's son Ouso expects to succeed his father on the throne, but Otomo, the Emperor's vassal, prefers Ouso's stepbrother, and conspires to have Ouso die on a dangerous mission he has contrived. But Ouso prevails in the mission and returns to his father's castle under a new name, Prince Yamato Takeru. Otomo plots to have the Prince sent into even greater danger, but Otomo is unaware that the gods have favored the Prince and the outcome is far from what any of them expected.

Japan and Russia clash in what comes to be known as the Russo-Japanese War. An attempt by the Japanese fleet and army to take Port Arthur fails, and a Russian fleet bears down on the Sea of Japan. Admiral Heihachiro Togo sends his fleet to confront the Russians, with results which stun both nations. Meanwhile, Major Genjiro Akashi makes secret negotiations with the Bolshevik revolutionaries in Russia, negotiations that have repercussions far beyond the conflict at hand.

An adventurous and daring sailor sets sail to the castle of an ailing king to stop an evil premier, hungry for power and wealth, from succeeding the throne and marrying the king's beautiful daughter. Along the way, with the help of some courageous rebels and a lustful wizard, he must overcome the powers of a bewitching witch, a band of ruthless pirates, and the castle's Imperial guards. He must also free those kidnapped into slavery and restore the king's reputation.

Lavish Japanese-Chinese coproduction based on an ancient Chinese legend about a man who falls in love with a snake goddess in human form.

In 1853, Gentetsu Nishiyama tells his students that the French prophet Nostaradamus foretells great change for Japan, some of his students revolt, calling his words heresy and his wife flees with a book of Nostradamus’s predictions… In the present day, Dr. Nishiyama has to combat increasingly bizarre goings on which seem all to familiar to the prophet's predictions…

Omnibus of love stories from 1947 directed by famous directors, featuring big stars.

The story, set in the Heian era, depicts the conflict between Korean painter Yoshihide (Nakadai) and his Japanese patron, the cruel and egotistical daimyo Horikawa (Nakamura). It is based on the 1918 short story Hell Screen by Ryūnosuke Akutagawa.

Slice of life film centered on a couple of years in the life of a rural high school girl.

Nakadai is an English teacher at a local school. He’s put-upon like the patron figure of dozens of films and televisions shows. Viewers who are especially fans of Nakadai will appreciate how the actor comically rants about here. His home life is almost disastrous, with a ditzy (but attractive) wife, three young children, a loud school nearby that’s controlled by a corrupt businessman he loathes, and frequent visits from layabout friends. And the grey-furred, green-eyed cat!

A high-born woman named Okuni travels around the country with Gohei, a samurai retainer who is in service to her. They are in search of Tomonojo, who has killed the man who was Okuni’s husband and Gohei’s master, and they cannot return to their lord’s home until they have fulfilled their duty of hunting down and killing Tomonojo.

In this Japanese drama, a village girl goes to Tokyo and becomes a sex worker to support her ailing mother. While there she meets an unmarried teacher (at least he says he's unmarried) and falls in love.

It's a man's world. Shimamura, an artist, comes to this snowbound town to rejuvenate himself. He connects with Komako, a geisha he met on a previous trip, and it seems like love. She's the foster daughter of a local family, almost engaged to the family's son Yukio, now dying of consumption. He's tended by his sister Yuko who's angry at Komako for abandoning her brother. Shimamura returns to Tokyo but promises he will be back soon. In anticipation of his return, Komako breaks with her patron and her family loses their home. Complications arise when Shimamura doesn't come back as promised. Then Komako discovers that he and Yuko knew each other in Tokyo. Can Komako escape destiny?

Based on Kaoru Morimoto oft performed 1945 play, a starring vehicle for famed actress Machiko Kyo as Kei an abused orphaned girl that eventually finds sanctuary with a wealthy family that trades goods with China and becomes a successful businesswoman. Masumura dilutes the originally intended pro-Japan propaganda elements for a more anti-war approach.

Natsuko’s daughter Saori is born blind in 1941, just before her father is drafted. Despite an attempted surgery and years of struggle, her condition proves permanent. Growing up, she faces stigma and danger but eventually finds hope and love with a fellow blind student.

Set in the 1860s, the final years of the Tokugawa Shogunate, The Fireflies focuses on Tose (Awashima Chikage), the mistress of the Teradaya, a small inn in the Kyoto suburb of Fushimi. She does not have an easy life. Her husband, Isuke (Ban Junzaburo), is a wastrel who fancies himself a kabuki singer and who is obsessed with cleanliness. Her mother-in-law, Sada (Miyoshi Eiko) dislikes her because of her humble origins (her family are farmers) and because she fears that she will inherit the inn instead of Sugi, her daughter. Sada's hopes for Sugi, however, are dashed when she runs off with a con artist and leaves her child behind for Tose to take care of. When Sada becomes seriously ill, it is Tose who nurses her. On her deathbed, Sada asks her daughter-in-law's forgiveness. Meanwhile Isuke spends most of his time with a mistress he has taken, forcing Tose to manage the inn by herself

An original warrior directed by Toshio Takagi, directed by Eisuke Takizawa of “Kiriko's Tango” by Toshio Yasumi, a comedy, cheerful widow. The photo was taken by Minoru Yokoyama from “Asakusa no Toko Odoriko Monogatari”

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