Liao Yi-chiao

Anthology crime television series inspired by four real-life cold cases in Taiwan, exploring themes such as faith, temptation, redemption, and obligation through the eyes of the people of Taiwan.

New female teacher became a target of a trouble making gifted student's bullying. But their confrontations soon developed a romantic undertone and they began to have a secret affair that played fast and loose with their feelings.

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Three sworn brothers torn apart by betrayal and tragedy are forced to face each other again years later, as hidden identities, family ties, and power struggles resurface to reignite their deadly feud.

Emily is a socially anxious newcomer to the workforce, teetering on the edge of social interactions in the office. Thomas is an interior designer recently heartbroken by a sudden breakup, dreading solitude. Their lives and experiences are drastically different, yet they find themselves in the same kitchen, separated by three years in different periods. Through homemade infused fruit liquors and culinary delights, they each heal and learn to live their own lives.

In hospitals, a group of people are helping the families of braindead patients understand organ donation and seek consent for the procedure. They are the transplant coordinators. Wen Yu-du is a new nurse just stepping into the field of organ transplant. She has encountered countless challenges, still she overcomes them with her passion for the work. Yet the biggest challenge for Wen’s career as a transplant coordinator is just about to begin.

On the day of their 20th wedding anniversary, a car crash changes everything. A key, which door does it unlock? A boy, what kind of troubles will he stir up? Assistance from BFF, is she solving or causing problems? Wandering between worlds of the living and dead, solving love problems of lost men and women. With a 49-day deadline, can love to arrive in time?

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10+10 is a project initiated by the Taipei Golden Horse Film Festival to demonstrate the solidarity between Taiwanese film-makers. 20 directors are invited to make a 5-minute short film each on the theme of the “Uniqueness of Taiwan,” but allowed total freedom in all other aspects.

Three young girls on their way to adulthood. Xiao-Bu fights over a cigarette with her friend Angel. Ah-Mi sleeps with Xiao-Bu’s boyfriend. He is very popular and lets Angel steal a kiss. Can it get any worse? Life with a depressive, alcoholic father, who can only stare out of the window, for example. Or is it actually worse when dove excrements ruin the new dress that was supposed to be worn on the date with a handsome guy? When you are 17, a coin can still be thrown in order to make decisions. Should the friendship with Angel remain? Is everything that happened a coincidence? Adolescence without emotional chaos is like a life without reason. Is it really of importance who loves who the most, or is it just a game?

A middle-aged couple are taking a walk by the harbour and having a fight when they meet an old acquaintance. When they walk past the Mazu temple, where he proposed to her, it reminds them of how things used to be.

On the day when Hui’s long-gone father suddenly reappears, she and her sister spend happy hours with him. However, when Father announces they will embark on a journey abroad, Hui knows she must reveal the truth about his mental illness.

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It's the summer of 1993, six months since the death of Wang's wife, Chuen-Ying. His son, Chi-Shiung, has just come home from Taipei in order to take care of his father's Baozi (steamed buns with stuffing) business. Although he didn't want to take over his father's store, Wang insisted he wanted to keep it. Chi-Shiung suggested to his father that he hire some extra staff and so Ying, a Vietnam woman, is hired. In the mean-time Wang can't get over Chuen-Ying's death and begins to burden Ying. —Jean Huang