Elisabeth Marjanović Cronvall

David and Siri are a young couple living in London. During a night out, they meet Camille and a flirtatious game arises where the boundaries are gradually dissolved. In an act of drunken curiosity, they have a threesome.

Siblings Enzo and Magda have drifted apart, and in an attempt to reconnect, Magda invites her brother on a trip to Helsinki. Over a weekend, the sibling duo encounters a series of eccentric characters and confronts situations that necessitate conversations about life, art and existence. Memories blend with the present, and dreams and reality merge for the two travelers adrift in the atmospheric city of Helsinki.

Dublin, June 2024: thousands of men seeking asylum in Ireland are homeless. Olivia and her group of volunteers are trying to find safe locations where the men can sleep each night, but the government is actively enforcing its new policy against homeless encampments, and the far-right are lurking.

It begins at the margins of power: a few teenagers protest outside parliament, cardboard signs in hand and an unyielding determination in their eyes. From there, Helena Molin’s long-term portrait unfolds—of a generation forced early on to confront the ruthlessness of politics. Their fight for the climate and for justice runs parallel to a life that should be about friendship, play, and future dreams, but is repeatedly interrupted by the failures of the adult world. The result is an intimate and powerful depiction of what happens when moral responsibility is placed in the hands of those still searching for their place in the world.

Three men seeking asylum in Ireland find themselves on the streets, caught between restrictive migration policies and an increasingly aggressive far-right movement. Dennis Harvey captures an explosive sequence of events on the streets of Dublin.

The story of a new Ireland and its vibrant music scene, but also that of a postcolonial society wrestling with its heritage. A society where folk music carries both the oppression of the past and the dream of a bright future.

'Do you feel cheaper?' We are filming young Lithuanian men working in Sweden. They do not want to be caught on camera, they do not want to participate in creating yet another media image of guilt and pity. They film us. We empty a bottle of moonshine, we dance on their porch. They might let us film them tomorrow. Second Class is a time document about class, respect, the value of work and human being.

Jakob is a successful life coach, providing what people want: simple answers in complicated times. But tasked with inspiring the unemployed, Jakob can’t get things right. Is the right attitude the answer to everything?

Two Swedish directors set off for Greece to find out how the local residents feel about the media images of the crisis.

An office gets furnished. Shelves, chairs and a projector. Then it's filled with people who practice pitching sales at each other over the phone.

They go sledging behind a car. They earn extra by fixing the roof of a neighbor's house. They are young and want to fulfill their dreams, but before them an uncertain future prevails. We are there as one of them, equally present, equally absent.