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Manuel Octavio Gómez

Directing

Biography

Manuel Octavio Gómez was a Cuban film director and screenwriter, recognized for his contributions to Cuban cinema during the post-revolutionary period. He began his career in the 1960s, directing documentaries and short films that reflected the social and political changes in Cuba. Gómez's notable works include La primera carga al machete (1969), a film depicting the Cuban War of Independence, and Los días del agua (1971), which explores themes of faith and superstition. His films are characterized by their innovative narrative techniques and commitment to social realism, making significant contributions to Latin American cinema.

Known For

Ustedes tienen la palabra
7.0

Rebuild, in the same place of events, a trial held in 1969 to four men, accused of sabotage for having caused the fire of a forest plan that caused the death of eight people and large material losses. At the same time, it analyzes retrospectively the circumstances that contributed to the occurrence of the crime.

Ustedes tienen la palabra

1973
The First Charge of the Machete
6.9

Cuban peasants wield machetes in a violent uprising against Spanish authorities in the late 19th century.

The First Charge of the Machete

1969
Gallego
6.0

An adolescent leaves his homeland to emigrate to Cuba in 1916. The film covers his life until the 1960s and at the same time reflects on the history of the country that becomes his second homeland.

Gallego

1988
Claves, 4: Memories of Cuban cinema
N/A

Documentary in four parts on Latin American cinema. Fourth episode: in Cuba, the ICAIC, created in the aftermath of the Castro revolution, is at once a film school, a production company and a state cultural branch. Cuban filmmakers testify to the situation and themes specific to their national cinema.

Claves, 4: Memories of Cuban cinema

1984
La tierra y el cielo
9.0

Pedro, a young black man born into a family of Haitians who emigrated to Cuba, returns to his town and notes the changes that the new times have brought.

La tierra y el cielo

1977
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5.5

This Cuban feature examines the circumstances arising out of a woman's claim to have seen the Virgin Mary and to have been healed by waters from a nearby stream. In an accelerating storm of cynical opportunism, her sincere beliefs are exploited by businessmen, politicians and military men. Rival groups compete to exploit the hysteria the vision causes, and the chaos culminates in a revolution. Striking imagery and skillful camerawork enhance this feature.

The Days of Water

1971
This Is Our Land
5.6

The unfair distribution of land in Cuba encourages the support of the peasants to the revolution.

This Is Our Land

1959
Tulipa
5.4

Tulipa, an old strip-teaser from a traveling circus, is replaced by a younger, more wild woman. She must teach the job to her successor or cling to an act that she values as true art.

Tulipa

1967
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8.0

A young sociologist returns to Nuevitas, his hometown, to investigate the transformations taking place there, brought about by the advance of the revolutionary process. Disagreeing with the way his predecessor worked, he tries to change it and discovers the complexity of human relationships, social problems, and the sexist and racial prejudices she had to face.

Woman, Man, City

1978
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N/A

Within a year, illiteracy on Cuba was eliminated thanks to the literacy brigades: an army of 100,000 youth people who set out with chalk and blackboards under their arms. Historia de una batalla follows them during their activities. The film also shows how the Cuban people devoted themselves to the economic progress of the country, and how they resisted the invasion at the Bay of Pigs.

Story of a Battle

1962
Patakin Means Fable
9.0

Socialist musical comedy made in Cuba

Patakin Means Fable

1985
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N/A

Documentary addressing the difficulties that arose in the city of Nuevitas (Camagüey) between 1964 and 1967, due to the industrial development promoted in the territory, which led to an unexpected population growth in just a few months.

Nuevitas

1969
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10.0

Adaptation of the famous novel, impassioned denunciation of the Guatemalan dictator Manuel Estrada Cabrera.

Mr. President

1983