Marie Majerová

Marta Vendyšová grew up in a wealthy family and married a well-known and successful architect. Soon after the start of World War I, she received news that her husband had been killed at the front. Among the things his friend from the front gave her was a medallion with a child's face, which she had never seen on her husband. She decides to track down the donor.

In late 19th century Czech-speaking Bohemia, oppressed workers at German-owned mines and foundries revolt against their harsh working conditions. Made shortly after World War II as Czechoslovakia was falling to communism, the film resonates in Czech resentment of the German occupation.

Blazenka likes to imagine she is on a desolate island and has to find a way how to survive. After the death of her mother she stays together with her baby brother and has to take care of the family. In this difficult situation, she plays this role-game that helps her to deal with the sudden loss of her mother.

In the last days of the war, American planes bomb a synthetic gasoline plant in the Sudetenland. The workers are then faced with the enormous task of building a new plant on the site of the ruins and starting production. Their efforts are truly bearing fruit - after immense sacrifices, Stalin's plants are back in full swing, which is something that competitors abroad don't like to see and they try to use the reaction to liquidate the production of synthetic gasoline...

A thirteen-year-old girl whose mother suddenly dies during the birth of her second child is forced to start taking care not only of herself, but also of her father and newborn brother.

The doomed love of a city girl caught in the vise of poverty is detailed in Vavra’s fluid, romantic work, one of the most elegant creations of the Czech Modernist era... The film lingers over its characters’ habitats and haunts, finding psychological truths in what each owns or desires, and countering every Hollywood-ready scene of gleaming restaurants and dazzling penthouses with realist moments of employment lines and crammed flats. Vavra’s classical camerawork and aura of romantic defeatism give Virginity a force comparable to the master of this genre, Hollywood’s Frank Borzage. (BAM/PFA)

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Based on a novel by Maria Majerova, this well-photographed but routine romantic drama is directed and co-scripted by Vaclav Krska. Set in a more old-fashioned time, the story centers around Lenka (Suzana Fisarskova), a young woman with a domineering, psychologically abusive father. When Lenka falls in love she suffers the ultimate injustice when her father and her family forbid her to marry the man. They see no advantage in such a union and want her to marry a wealthy local landowner instead, for obvious reasons. But Lenka is not as submissive as they think and she runs away to the city to look for the man she loves -- only to find a serious problem, though a surmountable one, is waiting for her.

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Cartoon based on the theme of the national artist Maria Majerová; the fairy tale of the hen and the rooster shows how ugly selfishness is and how nice it is when one helps the other.