Goran Rebić

The lives of a Serb family are torn apart by the pressures of the not-too-distant war with the Croats. The film addresses the fundamental question "Can love survive between political enemies?"

As the ship Donau makes its final journey from Vienna to the Black Sea, a young man sworn to fulfill a dying woman's wish lures a reluctant captain into a new adventure.

The sun blazes down from the sky with destructive power; exposing oneself to its light means death. People have transposed everyday existence to the night. In the metropolis of HALF WORLD a culture based on various languages and lifeforms has grown rampant. Everyone is looking for a way to survive.

Nana Iaschwili, a teacher from East Europe, wants to emigrate to America to start a new life. After landing in Vienna, the authorities notice her falsified visa and arrest her. Nana, threatened with deportation, would prefer anything except being sent back and escapes. She must keep on the move constantly. The police are hot on her trail. Together with other illegal aliens, Nana, alias "Suzie Washington", flees to the so-called "green border", the no-man's-land between East and West. The police, cows and lonely men keep getting in her way.

Twenty-eight well-known filmmakers living and working in Austria were invited by WIENER MOZARTJAHR 2006, to produce associative miniatures on Mozart. Requirement: they had to be one-minute artistic short films. The directors come from a whole range of different backgrounds, ranging from animated, experimental and short film to documentaries and feature films. The result is a multi-facetted sampler of diverse formal and contextual positions with regard to Mozart’s person and his influence on today’s society, art and culture. The contributions run the gamut from experimental-conceptual statements through socio-critical and documentary observations to pithy short feature films.

"At the Edge of the World" was filmed in 1991, the year of independence, and 1992, the year of war. One year between life as it was then and life as it is now, between rejoicing and destruction. The civil war in Georgia destroyed the utopia of freedom and left behind a battlefield, both in the country itself and in the minds of the Georgians.

Shifting between a suburban hostelry, domestic harmony and the idyllic setting of the Prater funfair, Johannes Holzhausen's documentation is a respectful and sympathetic observation of the long-term relationship between two people leading an unspectacular existence on the edge of society. A retrospective view of an unhappy life from the perspective of happier times.

A musical narratrive about Yugoslavian immigrants haunted by the hymns of their homeland.

Merab, Nino, Levan and Ludmila talk about their town, Tbilissi, the capital of Georgia, in a film both tragic and beautiful. Tbilisi in the first year after independence and shortly before the civil war, Sarajevo at the end of the war in what once was Yugoslavia. In Goran Rebić’s DURING THE MANY YEARS, people tell of the changes experienced since the breakaway from the Soviet Union.

Goran Rebić’s first film, Gekommen bin ich der Arbeit wegen, is a tracing of the stations that his father Ratko passed through as guest worker in a foreign land, in Austria. Domovina, a musical tale of the old Serbian folksong, leads to Austria and to the Serbian-Romanian border, a dreamlike and melancholic melody of the diaspora. The documentary essay During the Many Years , which requires no socio-historical explanation and no narrator, reproduces a collection of impressions during a journey to Tbilissi (Tiflis) in May 1991.

A travelling salesman attempts to cross a vast, dark forest in his old medium-range car, an Opel "Berlina". Suddenly, however, something happens... And then there is nothing.

In spring 1999, NATO allies conducted a bombing campaign against Yugoslavia as part of the Kosovo War. The action was supposed to destroy Yugoslav military installations and was seen as a humanitarian operation. But the bombings were aimed around urban areas and civilians were killed as well. This documentary focuses on the everyday people -- regardless of their religious or political differences -- who suffered on the ground and became witnesses to the overwhelming tragedy around them.