Antonio Santini

Wrestling with writer’s block for her first film, Bouchra, a queer Moroccan jackal living in NYC, starts having difficult yet overdue phone calls with her mother in Casablanca that begin influencing the project. Balancing the precarity of working as an artist, the rift in her cultural identity and an array of romantic interests, Bouchra’s emotional reckoning becomes her path to expression.

In a celebration of the trans community in Puerto Rico, the fissure between internal and external is an ever-present battle. A unique exploration of self-discovery and activism, featuring a diverse collection of subjects that include LGBTQ advocates, business owners, sex workers, and a boisterous group of drag performers who call themselves The Doll House, Mala Mala portrays a fight for personal and community acceptance paved with triumphant highs and devastating lows.

Dina, an outspoken and eccentric 49-year-old in suburban Philadelphia, invites her fiancé Scott, a Walmart door greeter, to move in with her. Having grown up neurologically diverse in a world blind to the value of their experience, the two are head-over-heels for one another, but shacking up poses a new challenge. Scott freezes when it comes to physical intimacy, and Dina, a Kardashians fanatic, wants nothing more than to share with Scott all she’s learned about sensual desire from books, TV shows, and her previous marriage. Her increasingly creative forays to draw Scott close keep hitting roadblocks—exposing anxieties, insecurities, and communication snafus while they strive to reconcile their conflicting approaches to romance and intimacy.

A homophobic tranny must uncover which gay man is pretending to be straight at a party. A homage to John Waters and a parody of homophobia and self-hate in the gay community.