Predrag 'Peđa' Vranešević

Luka Banjanin is an unemployed young man living with his parents in Belgrade. He hangs out with few devoted friends who, like him, are yet to find place in a society that discarded young intellectuals. He plays saxophone and dreams about going to Oktoberfest, the annual beer festival in Munich, but he's being unable to get passport because of a smaller drug incident he had in the past. Totally careless about his long-term girlfriend, he suddenly falls for a mysterious woman who seems to appear in the same places as him, and then vanishes as quickly as possible. Believing that he's at the wrong place at the wrong time, Luka wanders from one misadventure to another, gradually losing the contact with reality and living out his own Oktoberfest in his mind.

Druga linija aka The Other Line is a product of many years of research of neo-avant-garde cultural and art scene in Novi Sad, Serbia (late 60s and 70s), which has been marginalized until today. This artistic movement was directly connected not only with important art centers of the former Yugoslavia, but also with existing flows of world art during its brief and productive activities (7e Biennale de Paris, 19th Berlinale). The cultural and artistic emancipation of that time had implied individual freedom of expression and strong reaction to established boundaries. This avant-garde movement had become threat to communist establishment, the authors' work were sabotaged, the films were sealed off, five artists were taken to trial, two were sent in prison. How is it that the retrograde mechanism of shutting down and removing the most creative and representative progressive impulses of our surrounding is still so current to this day?

The story of political prisoners, detained in a jail before the start of the WWII, and their torture and attempts to escape, and join a partisan unit.

Unlike in the previous sequel of "Foolish Years"/"Zika's Dynasty" film series, Zika's and Milan's grandson became crazy for girls, having sex with them simultaneously in his apartment. Granddads are now worried for different reason, so they visit the doctor who gives them an advice to send their grandson to the country in order to use his strength appropriately.

Story about a group of eccentric Dadaist artists in a small Serbian town in the 1920s.

1992 Belgrade. Aleksa works the night shift at an occult magazine to avoid military police, draft and war. Old colleague, Mrs. Kosara, offers him shelter at her place. Soon, a dead friend warns him in his dream about the old lady.

Road movie documentary through half a century of filmography by Želimir Žilnik. But also a journey through the history of Yugoslavia, a country that no longer exists. With the specific style of docudrama that he built over the years, Zilnik managed to stay engaged and brave, but above all free, by making low-budget films for decades. We follow the efforts of his team to finish the film "Freedom or Comics", which was seized by censorship 50 years ago, and which was recently accidentally found. The story of an uninterrupted struggle for disenfranchised social and minority groups who are constantly the main heroes of Žilnik's films.

"Fitzgerald" is Jovica's nickname among his friends. One day Jovica, a film projectionist from the childhood of Zilnik, an old jazz pianist and one of the actors from The Way Steel Was Tempered, hear of Ella Fitzgerald's unexpected death. Jovica is desperate; he plays the piano all night long and cries. His wife threatens him saying that she will throw him out of the house unless he gets rid of the piano.

Godina was ordered to make a short film glorifying the army, but instead made a film about making love, not war. The censors hacked it up, but he managed to save one complete copy.

A video art based on “Zaludna mistrija” (A Vain Trowel) by Bogdan Bogdanovic, a book that deals with indoctrination and practical use of golden (black) numbers.

Six-part TV series where Karpo Godina filmed common folk, showing the world of people who have filled their lives with hobbies and skills of their own making. It features gold panners on the river Pek, a shepherdess who plays music on a leaf, a football fan, a potter, and an unusual orchestra.

The Serbian province of Vojvodina is home to a multi-ethnic population of Serbs, Croats, Slovaks, Ukrainians, Romanians, and Roma. The different groups seem to coexist cheerfully and peacefully, full of respect for each other’s customs, songs and religions. But the filmmaker’s ironical gaze discovers cracks in a facade that has long been less harmonious than it seems…