Niazi Mostafa

Rabi'a al-Adawiyya is a classic film from 1963 based on the life of the early Sufi saint and poet Rabi'a al-Adawiyya, also known as Rabi'a al Basri, in the second Islamic century.

In an attempt to rent a room whose owner only rents to girls, Zaghloul and Hassouna dress up as women. As they meet the villa's residents Nagwa and Nahed, the girls end up falling for them.

The feelings of vengeance turn into forgiveness, when Ghalia falls in love with Awad, who killed her husband. After she finds out that Awad took revenge for his brother after her husband married a dancer and tried to kill her and her son.

As Magdy leaves Upper Egypt for a job, he befriends the playboy Sami who impresses him with his many relationships. After a chance meeting with Hanan, Magdy asks for Sami's help to get close to her, something that Sami is happy to provide and support with previous experiences.

Amshir works in a cabaret owned by his wealthy friend Medhat. Medhat is sentenced to a month in prison after he burned the mustache of a wealthy Upper Egyptian man named Al-Najawi. Amshir then goes to prison instead of him in exchange for a sum of money.

The film follows Kamel, who opens a bookstore, and is continuously unsettled by Sayyed, the landlord, who wants to kick Kamel out and turn the store's specialty to garments. One day, Kamel finds an invisibility lace hidden in one of his old books, so he decides to use it in order to help his poor neighbors who were mistreated in any way.

The events revolve around an innocent young man who is thrown into prison as a result of a foreign drug dealer's hatred towards him because his mistress loves him. The young man, along with his friend, is able to escape from prison during the raid that was launched on Abu Zaabal prison during the aggression against Egypt, and events escalate.

Teacher Abbas Samkari dreams of getting rich. He finds an invisibility cap and uses it to pay off his debts and follow everyone around him without anyone seeing him. However, the cap falls into the hands of thieves, who misuse it.

Samiha catches the acting bug while engaged to the neglectful and food-obsessed Salah who spends most of his time cooking. When a handsome film and television director announces a contest to select Egypt's next star, Samiha becomes determined to win it...even if she has to pretend to be thirteen years old.

Dr. Hamed decides to marry Ehsan. Ehsan travels with her parents to Hamed's town. Her mother is fed up with Hamed's family and opposes Ehsan's marriage to Hamed because they are below their level. Ehsan decides to run away and marry him, but he refuses. Dr. Hamed settles in his town. His sick mother needs a blood transfusion and her blood type matches Ehsan's. She is saved.

Fouzy Pasha agrees with his daughter that whoever marries her must choose her for her person and love for her, not for her wealth. Indeed, Fouzy Pasha pretends to be bankrupt and even chooses a modest, popular residence and wanders the streets playing the piano while his daughter sings. Love brings his daughter together with a young man from a wealthy family, and the Pasha blesses this love.

In two imaginary states consumed by wars, the kings decide to resort to affinity to avoid wars. On the way, the king's son escapes from his guards, but he meets his awaited bride, Set Elhosn , without knowing who she is. He falls in love with her while trying to escape the marriage.

Nabila returns to Egypt after a long period of living abroad in search of her father's killer. She meets Mazloum, who asks him to help her catch the culprit. The two are exposed to many pranks, especially after meeting the real culprits. Every time they reach the truth, another murder occurs, and Nabila and Mazloum continue searching for her father's killer.

Sharif and Fikri are suffering from the constant preoccupation of their wives. Sharif's wife works as a model, and Fikri's wife is busy giving private lessons. They help their single friend Ahmed rent an apartment under the guise of an import-export company to meet the girls. One of the workers ordered that apartment, and events escalate.

Abu Firas al-Hamdani is a famous Arab poet from the princes of the Hamdani state, as he is known for his equestrian and courage, he lives between the court of Prince Seif al-Dawla, and people love him everywhere. Who competes with Firas for the love of Naglaa.

The film revolves around Mohsen (Mahmoud Zulfikar), who secretly marries Qamar (Camelia) without his aristocratic family knowing about his marriage. One day, his father asks him to come home because he has chosen the daughter of a fish merchant to be his wife to save the family from bankruptcy. For Mohsen and Qamar's marriage not to be exposed, Qamar is forced to travel as a nanny to work for Mohsen's father. From the moment she is appointed, all the men in the house begin to pursue her to express their admiration for her.

Based on the life and legend of Antarah ibn Shaddad, a 6th century poet and hero whose poetic works are considered among the greatest in the Arab language.

A courier is sent to deposit a cash amount to the bank but he arrives late. He goes to a hotel to spend the night and keeps the money in the hotel safe, but he gets confused with the Prince of Kandahar and who admires him and insists on keeping this confusion to reveal his enemies.

Ameria is shocked when she finds out her husband is cheating on her, so she decides to commit suicide, but the taxi driver saves her and takes her with him.

A son succeeds his father as a ruffian in the Al-Husayniyah area. As conflict arises between the young man and the current thug, who competes with him over the same girl, the thug plots to put the young man in prison for several years.