Valdis Celmiņš

The love story of sixteen-year-old Arturs is interrupted by the First World War. After losing his mother and his home, he finds some consolation in joining the army, because this is the first time national battalions are allowed in the Russian Empire. But war is nothing like Arturs imagined – no glory, no fairness. It is brutal and painful. Arturs is now completely alone as war takes the lives of his father and brother. Also, no progress is made in the promised quick resolution of the war and timely return home. Within the notion that only he alone cares about returning home and that his homeland is just a playground for other nations, Arturs finds strength for the final battle and eventually returns home to start everything from scratch, just like his newly born country.

On his deathbed, the reigning king bestows power to an unexpected heir who must find strength within himself to unite his people against the violent crusades which threaten their freedom.

In the late 1970s – at a time when the fiercest propaganda against Western culture was being waged throughout the USSR – an ardent rock and roll fan sets up a successful and illegal underground jeans factory in a Latvian psychiatric hospital.

A young woman in Stalin-era Riga joins a basketball team, hoping that she will be allowed to travel abroad and see her brother who's living in exile.

A local guide is asked to lead a group of influencers along the river of a remote valley. As they get deeper into the wilderness, their venture takes a frightening turn.

More than twenty years after Vladimir Putin came to supreme power in Russia on May 7, 2000, Russian society is deeply divided. A young, modern generation opposes the growing repression by the regime, which still retains the support of many members of previous generations. Who are these ordinary citizens who dream of living in a different Russia? What price will they have to pay to achieve the freedom and justice they so desire?

They're called water carriers, domestics, 'gregarios', 'Sancho Panzas' of professional cycling. Always at the back of the group, with no right for a personal victory. These wonderful losers are the true warriors of professional cycling.

This creative documentary tells the story of women in art – what she has to sacrifice in her personal life and what choices have to be made in order to gain success in her career. The film explores life of artist, by following theatre director’s Mara Kimele's fighting relationships with her despotic grandmother Anna Lacis (widely known as Asya, whose life is closely tied to the names of Walter Benjamin and Bertolt Brech), cynical son Peteris (who is played by an actor) and work while she stages F. Dostoevsky's “Crime and Punishment”. Every character of film is an act. But does that make them any less real? And what is real in the world of art? Apart from its human character's, the film also has an animated one – the horse, who came into life through the first letter Mara wrote to her grand mother and has been following her ever since.

A high-school folk dancing group heads to Latvian School Youth Song and Dance Festival, an event that takes place every five years and is part of the Latvian national identity – this is the culmination point of five years of work. Away from their homes and parents, they spend seven days and nights together. They are 18 and have just graduated, and this seems to be the last idle summer of their lives. Dreams mix with boredom, silly jokes with serious conversations. Taking care of one another creates affection and grows into a collective power. There are thousands like them at the festival. Every individual sensation turns into a common celebration that becomes more than just a tradition.

A laid-back journey in search of one of the world’s most fascinating families, observed and examined from within its most intimate relationships, where the truth and depth of a memoir meet the ironic tone of an indie comedy.

In the Cold War years of the 1970s, an American patrol boat meets a Soviet ship off the east coast of the United States for talks about fishing rights in the Atlantic. In the midst of this, while Russian commanders are aboard the U.S. Coast Guard vessel where the talks are being held, a Lithuanian sailor jumps across the ten feet of icy water separating the boats. Crash-landing on the deck of the American ship, he desperately begs for asylum. Though they try, the Americans ultimately fail to provide protection and the Soviets are allowed to capture him and brutally return him to their vessel. Thus begins a stranger-than-fiction story of imprisonment, discovery, fame, and freedom. Through rare archival footage and a dramatic first-person re-enactment of that fateful day by Simas Kudirka, the would-be defector himself, this tale of one of the biggest Cold War muddles takes us on a journey of uncanny twists of fate, and the emotional sacrifices of becoming a universal symbol of freedom.

Psychological thriller connecting three different people in the mysterious vortex, trying to untangle the dramatic fight of border between the truth and fantasy. Rob, a former real estate broker, unemployed, starts following a strange Japanese woman, Oki, who constantly moves from house to house. He drags his roommate Wylie into the investigation during which they have to face the dark past and curse of Oki, while dealing with the history of their own.

A police officer and his family arrive at their countryside home in a grim mood and unexpectedly meet Santa Claus. The children drag Santa into their scheme to save the family, while their parents start preparing for the celebration, unaware that the friendly Santa is in fact an escaped prisoner.

Choosing the fate of a rock musician was similar to being a dissident. From the 60s, the Soviet Union tried to discourage and restrict the expansion of rock music by any means. They called it the “rotten fruit of degraded capitalism, demoralizing the minds of Soviet youth”. Despite that, rock music broke the wall – made a hole in the Iron Curtain – and gained the hearts and minds of tens of thousands of young people.Rock musicians were on the frontline of the rebellion against the Soviet regime. Despite censorship, they managed to deliver, in a hidden, roundabout way through lyrics and music, the spirit of nonconformity and freedom of choice to their audience. A film about Latvian and Soviet rock pioneers, their lives and destinies.

At the beginning of the 1960s, when the French pioneers of cinéma vérité set out to achieve a new realism, and when direct cinema in Québec began to vie for notice, the Baltics wit-nessed the birth of a generation of documentarists who favored a more romantic view of the world around them. This meditative documentary essay – from a Latvian writer and Lithuanian director whose composed touch has long dovetailed with the stylistically diverse works of the Baltic New Wave – pushes adroitly past the limits of the common his-toriographic investigation to create a portrait of less-clearly remembered filmmakers. The result is a consummate poetic treatment of the ontology of documentary creation. Also a cinematic poem about cinema poets.

Three best friends have to attend funeral, organize a stag party and to be on time for wedding. Personal problems and close time draw three friends into crazy adventures.

Albert is an old man who lives in a house surrounded by the forest. Since the death of his wife, he spends his days in solitude. Driven by loneliness, despair and a longing for his deceased wife, Albert agrees to participate in a spiritual séance, just to be with her one last time. The séance fails; however, it triggers a chain of surreal events that give him hope of regaining that which seemed lost forever. Unfortunately, these events happen only in Albert’s unconscious mind.

Pēteris doesn’t get a chance to go pee before the start of the closing race of the semester’s swimming lessons, but he lacks the courage to back out of such a pressure-filled situation. It gets even worse when Pēteris learns that a red spot appears when pool water comes in contact with urine. In facing such a hardship, the boy must become a man.

The narrow, sandy strip of the seashore is a neutral zone that belongs equally to the sea and the mainland. This zone possesses an unusual chracteristic, namely, it attracts people with a practically magnetic power, transforming the beach into something like a playground where the old and the new, the primitive and the civilised, the traditional and the modern all coexist.

This is a film about the generation of the 1970s, about its teenage dreams, hopes, choices and its adulthood reality. When the director of the film was in year 7 at school, he got a 8 mm film camera from his dad. The first thing he did was film his classmates and record their visions of future. Thirty years have passed. The future is here. Have they succeeded in fulfilling their dreams?