Javier Maldonado

Stories of paranormal activities and extraordinary nature -allegedly- based on real events.

A group of treasure-seekers embark on a expedition into high adventure as they race to discover what's really located in the mysterious ice cave.

Action-adventure set in a world of the near-future, where young love is forbidden among the lower classes. Nevertheless, one couple defies their police-state world to fight and hold on to whatever love they can find.

An experimental four-part 2002 Franco-Chilean digital video series written and directed by Raúl Ruiz. The first part won a FIPRESCI Award at the Montreal World Film Festival in 2002 "for the director's personal exploration into his homeland, using DV in a rigorous yet playful manner".

Sussi comes to the big city to find love and success.

A satirical take on President Salvador Allende's Popular Unity process prior to the 1973 Chilean coup d'état. The film is made up of a series of short stories, in which different worlds cross paths.

The film revolves around the concept of soap opera. Its structure is based on the assumption that Chilean reality does not exist, but rather is an ensemble of soap operas.

The life-story of Chilean author María Luisa Bombal, intertwined with the plot of her own novel "La última niebla".

A young working class girl falls in love with an upper class boy who is part of the plot to assassinate General Schneider, head of the Chilean Army. The film was shot in 1973 over six weeks with a budget of $170,000. As a result of the 1973 Chilean coup d'état and military dictatorship (1973–1990), the film was presumed lost for many years and not released until 1992.

This is a film about the life of a family of marginal thiefs, and how destiny punishes each and every one of its members. A constant contrast between a violent and a domestic world, in which violence, humor and irony, give a new layer to the social and moral conflicts of the characters. A lost house in a forest, an underground bar, a prison, a bus, fields and highways, are the spaces on which thieves, truckers, cooks and hookers collide.

A former public-services worker wants to return to his job. In the attempt, he meets wandering people, who seek "parallel ways" of survival in a chaotic socio-political context in Chile, after the 1973 Coup d'état .

The ghost of a young German colonist, who died a couple of hundred years ago in unclear supernatural circumstances, appears in Chile to fulfill her mythical destiny. To achieve this, she will intervene in the life of an unsuccessful publicist and his lover.

A public services employee receive the news that he will be lowered in rank and salary. So he decides to rebel, for at least the weekend...

Gastón Fernández has arrived at 34 without too much to show or brag about. He has no money, job, girlfriend, friends or life plan. He's a composer that doesn't compose. The one-time "most likely to succeed" at Santiago's Musical Conservatory has passed from promise to failure. He feels he is beginning to wander alone. Isolated and detached. Gastón feels that everyone judges him and see the word loser tattooed on his forehead. At the same time, an alter-ego, a sort of doppelgänger, haunts him.

Gáspar is a public employee and Rebeca works in a funeral home,they reflect the discontent of a generation that has suffered the vicissitudes of Chile in the 1980s. Through it, the film explores how the working middle class survives such a convulsive environment.

A cyclist decides to go for everything and win the 'Tour of Chile' Race, so he can finance the medical treatment for his ill mother with the prize. However, he must soon recognize that the sporting event is corrupted by commercial and marketing interests, in addition to the political goals of the military regime.

A sleepwalking psychology student wants to recover an unknown image of herself. Like a lost soul, she search her image among the dead. Only then she will fulfill her wish.

Erre, a teenager that lives with his uncle, his aunt and an almost absent sister, is erased from the roster on his school. From then on, he just wanders in places where the strange is barely hidden under an imitation of the ordinary.