Roland Kovac

Brother and sister meet again after 15 years and fall in love with each other.

A young heiress leads a life of excess and wants to marry a man her rich father despises. When her father suspiciously dies, and someone tries to kill her, she surrounds herself with her cousins, friends and lovers, all possible suspects.

Young and sexy European fashion models are abducted to an isolated place (Ceylon), locked up, stripped, sexually abused and tortured by powerful, sadistic men.

A group of vampires terrorizes a small village on the German North Sea Coast. The young Jonathan joins a group of fellow students and locals, who plan an uprising against the vampires.

After a line of mischief Philip Gale, an American sailor, is lured into hiring on the "Yorikke", a tramp cargo, by Lawski, a stoker from Poland. Still, the two become friends within the motley crew of losers from all nations. Gale and his new companion soon are more than disillusioned: the "Yorikke" is far from seaworthy and more of a coffin than a ship, work is close to slavery, and treatment by the officers and their subalterns is harsh and cynical. One day they make an alarming discovery in a tin of plum butter they have procured from the ship's cargo... Written by Anonymous

A young man gets caught up in criminal activities in order to fulfill his desire for an easy life.

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Dr. Wittich is a passionate speleologist who spends more time on his research than on his fiancée Cornelia. As a result, she turns to the rich industrialist Roy, whom she eventually marries. But her heart actually belongs to the explorer and so she is drawn back to him.

In Germany, jazz had a voice: Inge Brandenburg. This is the story of a woman in the 1950s and 1960s, when there was no place in Germany for self-assured women with international aspirations, a dramatic performance style and an emancipated attitude to love.

In the later stages of her research into the history of cinema made by women, Katja Raganelli became interested in Margery Wilson, then one of the very few living women who had been able to direct fiction features during the silent period. What survives of Wilson’s art is her acting. For her work as a director, besides sundry photos and newspaper clippings, we only have Wilson’s recollections, as recorded by Raganelli.