Marlene Edeling

Spoed is a Belgian action drama TV series produced in the Dutch language in Belgium since 2000. The series is also shown on both Flemish/Belgian TV and Dutch TV. The series is directed by Johan Thiels and Guy Thys. The series has produced 217 episodes to date. It may be compared to the American TV programs ER or Chicago Hope.

F.C. De Kampioenen, was a long-running Flemish sitcom chronicling the adventures of a fictional local football team. It aired on the Belgian-Flemish channel één between 1990 and 2011, for 21 seasons with 273 half-hour long episodes, making it one of the most successful comedy programs ever on Belgian television. In 2009 a film had been planned, but has since been cancelled following complaints by the actors about the script. In 2012 the crew announced a new script was written and a movie will be produced. The movie is to be released in December 2013. The series relies heavily on stereotypical characters and farce for its humour. The story is mainly set around a few members of the football club who regularly visit the club canteen before or after a soccer training or match. The canteen is run by Pascale, who is in a relationship with Maurice. The football club is sponsored by the owner of a sausage factory, Balthazar Boma. Next to the field is an antiques shop, owned by the fraudulent Fernand. Most of the episodes are based on misunderstandings or dirty tricks from Fernand.

The captain of a ship in port has been entrusted with a secret government mission. He gives leave to the crew, but orders them to report back each morning. As the days go by, and the sailing date still remains a secret, the crew are thrown into a state of increasing uncertainty. The film concentrates on two crew members whose experiences are coloured by the omnipresent reality of the ship which is about to depart.

This psychological drama begins after a young woman has committed suicide. Her husband, a cynical pawnbroker, sits desperately by her body. Through a feverish internal monologue and flashbacks, he attempts to reconstruct the events. He tries to justify his own behavior and subtly shifts the blame for the tragedy onto her, while the viewer unravels the destructive dynamics of their marriage.