Nadine Ballot

Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rohmer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.

Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.

A film in four episodes presenting teenage girls chosen as representative of their country and our time, in Italy, France, Japan and Canada. In spite of the stylistic peculiarities of the filmmakers, we find in each of them the same desire not to affirm anything, not to judge, but to quite simply show.

In a busy, noisy neighborhood, a frustrated young wife in a failing marriage is offered her freedom by her indifferent husband, but has second thoughts after meeting an intriguing stranger.

Jean Rouch gives a group of black and white teenagers a "what if" question: what if they socialised with each other? The teenagers then improvise their own characters and situations.

An aimless young woman is sent home from school with nothing to do. Drifting through the streets of Paris, she comes across a variety of people.

Filmed in Paris in 1964, this documentary short follows two fifteen-year-old girls from the city’s 16th arrondissement as they move through leisure, conversation, and social encounters. The film records their views on adulthood, relationships, and the future, capturing a moment of transition between adolescence and adult life.

Oedipus arrives in Thebes and finds a devastated city, where the young men are devoured by a monstrous beast, the Sphinx. He decides to deliver the inhabitants of this plague installed on the roof of a building.

A seventy-five-minute documentary featuring outtakes from "Chronicle of a Summer" (1961), along with new interviews with co-director Edgar Morin and some of the film’s participants.