Leonardo Mouramateus

North of Italy, the von Kettens dispute the forces of the Episcopate of Trent. Herr Ketten seeks marriage in a distant country, Portugal. After their honeymoon journey back home, Ketten leaves again for the war. Eleven years elapsed… Rumours are running about the presence of that 'foreigner' in the castle. Some say she's a heretic. Until one day, the Bishop of Trento ends up dying and, with the signature of peace, falls the background of von Ketten's life. Will the Portuguese win, where death seems to be moving in?

While the country is under the yoke of a military junta and corrupt priests preach the apocalypse, a lawless, eccentric family – a kind of Bonnie & Clyde with kids – trek through the Brazilian interior. Their first aim is to deliver a consignment of weapons to a group of militant nuns who have withdrawn to the jungle, living off the income from their cannabis plantation. As gay , bi, trans, the converts so organized to make revolution.

Greice, a Brazilian girl studying in Lisbon, gets involved with a mysterious guy and ends up getting accused of a strange incident that occurs at the students' welcoming party, which forces her to return to her hometown to renew her residence permit. Hidden in a hotel, while preventing her mother from discovering she’s back in the country and with the help of some friends, Greice tries to find a place of comfort in the world.

In the year 74 BC, Titus Lucretius Carus, a young man with bold ideas, tries to convince his friend Memio that moving to the city of Rome to study is a total waste of time. Years later, Lucretius returns from the capital. Trying to find a balance between his explanations of the natural world and his emotional experience of it, Lucretius lives a deep and troubled passion with his foreign wife Isa.

A teacher awaits the arrival of his late students. Far away, a young couple wakes up surrounded by trees. It’s ten-fifteen in the morning.

For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform relationships between the body and the camera to propose works that will engage with both perception and embodiment. Could cinema be an art of embodiment? By what rituals and actions could vision become tactile?

Rómulo's quiet routine in Rio de Janeiro changes overnight when an accident starts a wave of absurd events. Far from there, Orlando, his twin brother and rare works dealer tries to buy the book of a Brazilian student with financial problems. The twins' lives will be on a collision course with the arrival of a mysterious manuscript.

It's essential to generate life, dialogue, understanding, and to celebrate humanity. In times of widespread pandemic, raising questions about the preservation of democracy, the integrity of public health, and our own notions of individuality, we are dragged into a process of change. Mudança is an encounter between the artist Welket Bungué and the Portuguese parliamentary politician Joacine Katar Moreira. Here they question the essence of their crafts, making an unexpected paradigm of imminent revolution resound.

In Fortaleza, Brazil, loving, drinking and singing. The return home, braving stray dogs. And taking photos, up to the moment the plastic camera bought in 2013 gives up the ghost.

"Yesterday, by the afternoon, I went to see if our theater was still there. And it was".

A guy is offered a job as caretaker of a house and decides to bring his new love along. However, she still has to split with her former boyfriend. Her solution: she'll write a break-up letter, and her new boyfriend has to deliver it. A playful look at love and loyalty.

The streets where I live are the same of those I was born. And before it, so was my mom. And before it, my grandparents. I draw these streets: there is no place like our home.

Proposes a speculative meeting between the Baron of Água Izé, the first nobleman in the Portuguese colonies of the 1800s who was of mixed European and African ancestry, and Maria Correia, the Black Princess of Príncipe Island in the 1700s. Reanimating them through the bodies of contemporary artists, the film uses dance, poetry and music to weave profound threads between the past and the present. Transcending space, time and language, their encounter wrestles with questions of culpability, power and the exploitation of both land and Black bodies.

Antonio runs away from home and tries to spend the night at his ex-girlfriend's apartment. There he finds a brazilian girl, an unexpected guest. Johnny is struggling to stage his first theater play in Lisbon. His friendship with the young light technician will make him face his real problems. Débora is passing by, finally returning home. When she goes to the theater, she falls asleep, and is awaken by the protagonist. Three dimensions of the same story.

Vando (aka Vedita) is not seen for a long time in the streets of Barra.

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A young man sits on a busy street in Lisbon to draw the people passing by. Not too distant, a couple talks about the origin of a wallet found months earlier. The light of one moment is reflected on the other.

I really admire this capacity, Mauro. Of turning into something else. Like a dinosaur or a memory.

Snow is water. Water is water.

I put you on a shelf of timelessness to try to ease all this endless mourning, which does not accept you as past in any way. While I sleep, I take care not to occupy your side of the bed.