Astley Harvey

A British television anthology of stories, often with sinister and wryly comedic undertones, and a twist at the end. With early episodes written and presented by Roald Dahl, the series featured a plethora of big name guest stars.

Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.

A musical adaptation of Colin MacInnes' novel about life in late 1950s London. Nineteen-year-old photographer Colin is hopelessly in love with model Crepe Suzette, but her relationships are strictly connected with her progress in the fashion world. So Colin gets involved with a pop promoter and tries to crack the big time. Meanwhile, racial tension is brewing in Colin's Notting Hill housing estate...

Six Dates with Barker is a 1971 ITV series of six one-off, half-hour situation comedies showcasing the talents of Ronnie Barker. Three of the stories were further developed: The Phantom Raspberry Blower of Old London Town was made into a serial as part of the 1976 sketch comedy programme The Two Ronnies; The Odd Job Man was adapted as a feature film, titled The Odd Job; and The Removals Person became Barker's final programme Clarence.

Two disc jockeys have a friend's murder to solve in the fringe-group melting pot of 1977 London.

Three black men rob a Knightsbridge Italian restaurant. But when the police are called and the robbery becomes a siege, the men find themselves in a situation out of their control.

The film is just this kind wandering through the personal ways and whys of different kinds of pain in different kinds of people. The film searches through the many levels of pain and finds it in its unique position between disaster and pleasure. Pain is..thus plunges us instantly into the midst of controversy and the unknown.

Stephen Dwoskin brings together members of the Ballet Negres dance company, founded in London in 1946.

In this unique approach to the autobiographical film format, director Stephen Dwoskin pieces together home movies shot by his parents in New York City, a video letter recorded during the 1990 Gulf War by filmmaker Robert Kramer, and raw footage filmed by Dwoskin himself. A veteran of the New York independent film scene of the 1960s, Dwoskin constructs a film poem in which the strong sentiment of his personal story—he was stricken by polio and eventually confined to a wheelchair—never overwhelms the beauty of the film’s distinct form.

Religious play from Moral Rearnament.