Albert Marenčin

Television series Golden Sixties examines new insights into Czech and Slovak cinema of the 1960s and the role of the Czechoslovak New Wave. Each episode focuses on a different filmmaker.

A young Polish deserter and gifted organist finds shelter from the fascists in a Slovak Franciscan monastery. He find himself in conflict with the local organist and choir leader, a man limited in his world views and spiritual values.

The film is a historic parable about the topicality of revolution. 1514. The peasants' uprising is over, Dózsa has been arrested. Werbőczy tries to get the imprisoned peasant leader deny the revolution and offers him the lives of his people in exchange.

Historical satire from the first half of the 19th century, which captures the decay and decline of the landed estate. The impoverished peasants still seem to adhere to the old principles of peasant honor and glory, but the elections will show how easy it is to buy knightly qualities.

In the aftermath of war, two men and a woman begin acting more like children than adults, leading to tragedy.

Two repatriated soldiers search for stability and love when they return home after the First World War.

A classical ballad motif about an aging father and his three daughters is quite unusually here set against the backdrop of Czechoslovakia of the 1950s. After having been expropriated, the former landowner Majda seeks refuge with his three daughters whom he had sent to a convent a long time ago. But only the youngest one is able to forgive him and she is willing to take care of him despite the threat of expulsion from the order.

Barnabáš Kos, a meek and modest triangle-player in a state orchestra finds himself unfathomably promoted to musical director. Now drunk with power, the once timid musician turns into a poised, commanding peacock and seeks to transform the orchestra to suit his own agenda and inflated vision.

On Christmas Eve, 1944, in Nazi-occupied Slovakia, the Kubiš family grapples with survival amidst brutal reprisals. Marián collaborates as a fascist guard leader, while his sister Angela has an affair with their Nazi lodger, Major Brecker. The situation escalates when their younger son, Juraj, a former partisan fighter, returns home wounded. As Germans search homes for escapees, Juraj hides in the attic, while an unsettling Christmas dinner unfolds below with Major Brecker present.

Mr. Ctibor once worked as a hotel valet, and although he is retired, he is still eager to prove that he is needed. He thinks he has once again been given the opportunity to intervene in the interests of both the guest and the hotel's reputation, as he wants to prevent the reported suicide of one of the guests. However, the mix-up of room numbers is fatal not only for old Ctibor, but also for the guest in room 32. Ctibor's efforts prove futile, because he mixed up the room numbers and protected someone who didn't need it at all...

An unusual children's film set during World War II in Czechoslovakia, this compelling drama unfolds five different segments that present the war through the eyes of three youngsters. The three have a series of adventures which include saving a soldier from being captured by the Germans, helping out the resistance fighters, and meeting up with a young Russian woman trained in guerrilla warfare. As they learn more about life and danger, various circumstances constantly recall the reality of war itself. The title comes from a wounded pigeon under the care of one of the youngsters.

Young couple separated by World War 2, dream of being reunited years later.

The brave soldiers, including a young Romani man determined to become a machine driver after the war, are preparing to fight for the Dukla Pass, and they must fight hard for every inch of land. They will redeem their success with their own blood.

Documentary about Stefan Uher's film.